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It’s Not Weird… Like Werewolves.

机译:这不奇怪……像狼人一样。

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This paper is both a theoretical and creative exploration using fan ficion. Monsters have drawn my interest because they are often metaphors for marginalized folks. Through histories of marginalized experiences represented as monsters and villains, I claim the monster as my own. In more recent iterations of the monster, I have observed this pull towards the normate looking at the show Teen Wolf in comparison to the 1984 movie by the same name. The monster becomes the protagonist, but in doing so, ends up becoming predominantly white, heterosexual, cisgender, abled, thin, and conventionally attractive. Furthermore, the representations of the monster consist of bodies that draw closer to the normate, but are exemplary of the norms of desirability. In short, they find the hottest models to play as monsters. The monster is no longer the marginalized subject, but becomes an expected, unattainable norm of desirability like Audre Lorde’s “mythical norm”. In response to this mythical norm, I have rewritten the scripts as fans sometimes do. In Teen Wolf , the protagonist, Scott McCall becomes abled upon becoming a werewolf. What if he stayed disabled and wasn’t drawn closer to the normate? What if instead, he stayed a disabled nerd and ended up in a relationship with his best friend, Stiles, another disabled nerd? This little slice of life explores a little about what it’s like to be disabled, queer, racialized, and a monster that’s a little more representative of what it’s like to be marginalized.
机译:本文既是理论研究又是创新研究。怪物吸引了我的兴趣,因为它们通常是边缘化人群的隐喻。通过以怪物和恶棍表示的边缘化经历的历史,我声称怪物是我自己的。在最近的怪物迭代中,与1984年同名电影相比,我观察到这种看似正常的观看节目《少狼》的趋势。怪物成为主角,但这样做最终会变成主要是白色,异性恋,顺式,有能力,瘦弱和常规吸引人的角色。此外,怪物的表象由更接近规范的物体组成,但是是可取性规范的示例。简而言之,他们找到了最热门的模特来扮演怪物。怪物不再是边缘化的对象,而是像奥德丽·洛德(Audre Lorde)的“神话规范”一样,成为一种期望的,无法实现的欲望标准。为了响应这个神话般的规范,我像粉丝们有时一样重写了剧本。在主角《少年狼》中,斯科特·麦考尔(Scott McCall)成为狼人后变得有能力。如果他保持残疾并且没有接近规范该怎么办?如果相反,他仍然是一个残疾书呆子,却与他的最好的朋友Stiles(另一个残疾书呆子)结了婚怎么办?这小部分生活探索了被残废,酷儿,种族化和什么样的怪物更多地代表了被边缘化的感觉。

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