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THE 'GATE' AS AN ARCHIVE: THE ARCHIVAL ACTIVITIES OF THE GRODZKA GATE-NN THEATER CENTER IN LUBLIN

机译:“门”作为档案:卢布林的Grodzka门-NN剧院中心的档案活动

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This article concerns the archival enterprise at the Grodzka Gate-NN Theater Center in Lublin [Ośrodek „Brama Grodzka - Teatr NN"; http://teatrnn.pl] and those aspects of its operation that are connected with the artistic processing of the idea of an archive as a "memory ark." The author discusses key elements of the archive's form and function in connection with the Center's social and educational activities, showing their relation to questions of cultural memory, memory as responsibility, the social dimension of memory, and ethical and artistic aspects of remembering (especially the remembrance and non-remembrance of victims of the Shoah). The article also reviews those works of the Center in which the form and function of the archive are translated into various realizations of "memory theater" (including "behind-the-scenes theater" inspired by the form of the archive, mysteries of memory, the expanded digital archive and its network infrastructure oriented on "memory work," etc.)
机译:本文涉及卢布林的Grodzka Gate-Nn Theatre中心的档案企业[oğrodek“Brodzka - TeaTr NN”; http://teatrn.pl]以及与其艺术处理相关的操作的这些方面作为“记忆方舟”的档案。作者讨论了档案形式的关键要素和与中心的社会和教育活动有关的功能,展示了他们与文化记忆,记忆作为责任,记忆的社会维度的问题的关系,和伦理和艺术方面的记忆(特别是Shoah受害者的纪念和不纪念)。该文章还评论了该中心的作品,其中档案的形式和功能被翻译成“记忆剧院”的各种实现(包括“幕后剧院”灵感来自存档,内存之谜,扩展数字档案及其在“记忆工作”等的网络基础设施上)

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