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Places of the imagination: an ethnography of the TV detective tour

机译:想象的地方:电视侦探之旅的人种志

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摘要

This article considers the phenomenon of the TV detective tour, guided tours of the locations and settings of popular TV detective programs. What explains the growing popularity of these tours? The article proposes that the locations in question serve as physical points of reference to an imagined world. By visiting these locations and focusing on them, tourists are able to construct and subsequently cross a symbolic boundary between an 'imagined' and a 'real' world. To explain this process, a new concept is introduced: lieux d'imagination.This concept is supported and developed on the basis of ethnographic analysis of three popular TV detective tours: the Inspector Morse Tour in Oxford, the Baantjer Tour in Amsterdam, and the Wallander Tour in Ystad, Sweden. In all, 31 interviews were conducted with tourist office employees, tour guides, local inhabitants, and tourists; these interviews were supplemented with participatory observation.Analysis of interview transcripts and observation records shows that lieux d'imagination result from a complex process of negotiation and appropriation.
机译:本文考虑了电视侦探巡回演出的现象,流行电视侦探节目的位置和设置的导览。是什么解释了这些旅行越来越受欢迎的原因?这篇文章提出,所讨论的位置可以作为虚拟世界的物理参考。通过参观这些地点并专注于这些地点,游客能够构造并随后跨越“想象的”和“真实的”世界之间的象征性边界。为了解释这一过程,引入了一个新概念:lieux d'imagination。此概念是在对三种流行的电视侦探之旅的人种学分析的基础上得到支持和发展的:牛津的Inspector Morse Tour,阿姆斯特丹的Baantjer Tour和瑞典于斯塔德的Wallander之旅。总共对旅游局职员,导游,当地居民和游客进行了31次访谈;访谈记录和观察记录的分析表明,想象力的产生是由谈判和挪用的复杂过程造成的。

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