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Disrupting cultural amnesia about the Frontier Wars in Australian war remembrance. A review of (in)visible: the First Peoples and War at The Lake Macquarie City Art Gallery, NSW

机译:在澳大利亚战争纪念活动中破坏有关边境战争的文化遗忘症。新南威尔士州麦觉理湖市美术馆的“(无形):第一民族与战争”评论

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During my research into the representation of Indigenous war experience at the Australian War Memorial (AWM), it became obvious that so much was invested in the foundational myth of a nation born in war on foreign shores and a national identity based on Anzac spirit, that the Frontier Wars of colonization could not be part of the narrative of 'Our Story' because of the ways in which they contradicted it. The Frontier Wars are silenced and hidden, often in plain sight, in Australian war remembrance. Cultural amnesia about the Frontier Wars is reinforced by the AWM's representation of Indigenous national service, without the historical context, as part of the singular narrative of 'Our Story'. The refusal to officially acknowledge the Frontier Wars poses questions about the possibilities of commemorating all Indigenous war experience, not only national service, and of how and where the elided stories about the wars fought in the making of the nation might be publicly represented. The Lake Macquarie City Art Gallery exhibition (in)visible: the First Peoples and War, in 2015, demonstrated the possibilities for disrupting 'Our Story's' collective forgetting. This article discusses the ways in which contemporary Indigenous artists' works performed a motivated remembrance of the Frontier Wars and subsequent wars, and their ongoing effects in Indigenous lives. Enacting 'memory work', (in)visible countered cultural amnesia, revealing what is hidden in 'Our Story'.
机译:在我对澳大利亚战争纪念馆(AWM)中土著战争经历的表现进行研究的过程中,很明显地,人们对在国外海岸战争中出生的民族和基于安扎克精神的民族认同的基本神话进行了大量投资,由于“殖民地之战”与“我们的故事”的叙述方式相互矛盾,因此它们不能成为其叙述的一部分。在纪念澳大利亚战争的过程中,边境战争常常被默默地隐藏起来。作为“我们的故事”单数叙述的一部分,AWM在没有历史背景的情况下对土著民族服务的代表加强了有关边境战争的文化遗忘。拒绝正式承认边境战争提出了这样的问题:纪念所有土著战争经验的可能性,不仅是国民服役的历史,以及如何以及在何处将关于在民族建设过程中所发生的战争的遗忘故事公开化的问题。麦格理湖市美术馆展览(无形中的展览:《第一人民与战争》)于2015年展出,展示了破坏“我们的故事”集体遗忘的可能性。本文讨论了当代土著艺术家的作品对边境战争及其后战争的积极记忆,以及它们对土著生活的持续影响。进行“记忆工作”,(看不见的)反抗文化遗忘症,揭示“我们的故事”中隐藏的内容。

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