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Art as text, war as context: The art gallery of the Metropolitan Fair, New York City's artistic community, and the Civil War.

机译:以文字为艺术,以战争为背景:大都会博览会,纽约市艺术界和内战的美术馆。

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摘要

This study analyzes a three-week-long art exhibition held in New York three years into the Civil War. It asserts that in April 1864 the city's artistic community created an unprecedented event promoting patriotic sentiment and nationalistic goals that fueled the pursuit of Northern victory. A component of the Metropolitan Fair, this massive art spectacle held the Northern home front's allegiance to the war effort while raising funds for the United States Sanitary Commission, a civilian medical relief agency. The nation's most acclaimed artists, businessmen, and their families created this pivotal moment that culminated years of struggle to establish New York as a center for American art. This landmark event invigorated the city's artistic community to coalesce finally as a cultural, economic, and political force sufficient to transform New York into a national resource for the fine arts, thus heralding the attainment of high civilization in the New World.;Divided into six chapters, this study initially reviews the city's artistic community in the decade before the war. Chapter Two addresses the Civil War as it affected its artists and businessmen. Chapter Three outlines contributions to mobilize the city's home front to ensure the Northern army's health and welfare under the auspices of the United States Sanitary Commission. Chapter Four argues that the Metropolitan Fair taught the value of nationalistic policies, universal participation, and popular sympathy while celebrating a society free from oppression. Chapter Five focuses on how the Committee on the Fine Arts also furthered the goals of the North's propaganda machine. Chapter Six addresses the formal art exhibition as a tangible monument to the city's art-wealth and to Northern prosperity in the midst of national turmoil. It contends that specific paintings were selected because they elicited calculated responses and served as components of an overall reassuring theme suggesting to this wartime audience that the conflict was part of a larger plan destined to run its course. As its legacy, this art spectacle created sufficient momentum and cultural capital to encourage the establishment of a lasting institution dedicated to the appreciation of high art, namely the Metropolitan Museum of Art.
机译:这项研究分析了内战三年后在纽约举行的为期三周的艺术展览。它断言,1864年4月,该市的艺术界创造了史无前例的事件,宣扬了爱国情怀和民族主义目标,从而推动了对北方胜利的追求。作为大都会博览会的一部分,这种巨大的奇观使北方家庭阵线效忠于战争,同时为民间医疗救济机构美国卫生委员会筹集资金。美国最受赞誉的艺术家,商人及其家人创造了这一关键时刻,最终为建立纽约作为美国艺术中心而进行了多年的努力。这项具有里程碑意义的活动使这座城市的艺术界最终得以团结起来,成为一种文化,经济和政治力量,足以将纽约转变为美术的国家资源,从而预示着新世界将高度文明化。本章首先对战前十年中的城市艺术社区进行了回顾。第二章论述内战,因为它影响了其艺术家和商人。第三章概述了在美国卫生委员会的主持下动员该城市的家园战线以确保北方军队的健康和福利的贡献。第四章认为,大都会博览会在庆祝一个不受压迫的社会的同时,传授了民族主义政策,普遍参与和民众同情的价值。第五章重点讨论美术委员会如何进一步促进朝鲜宣传机器的目标。第六章将正式的艺术展览作为城市艺术财富和民族动荡中北方繁荣的有形纪念物。它争辩说选择了特定的绘画,是因为它们引起了经过计算的响应,并成为整个令人放心的主题的组成部分,向这名战时观众暗示,冲突是一个注定要进行的较大计划的一部分。作为其遗产,这种奇观创造了足够的动力和文化资本,以鼓励建立一个致力于欣赏高级艺术的持久机构,即大都会艺术博物馆。

著录项

  • 作者

    Moore, Charlotte Emans.;

  • 作者单位

    Boston University.;

  • 授予单位 Boston University.;
  • 学科 American Studies.;Art History.;History United States.
  • 学位 Ph.D.
  • 年度 2009
  • 页码 548 p.
  • 总页数 548
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 美洲史;艺术史、艺术思想史;
  • 关键词

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