An unfinished story: The representation of adivasis in Indian feminist literature

Elen Turnera*

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An unfinished story: The representation of adivasis in Indian feminist literature

机译：一个未完成的故事：印度女权主义文学中对adivasis的表示

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Contemporary Indian feminism is concerned with a number of social justice issues, including the circumstances under which âadivasis' or tribal people, live. India has a large body of work on these peoples, but much of this romanticises them and fails to treat them as the inhabitants of a modern, industrial and globalising India. In this article, I discuss two works published by Indian feminist presses that provide new and alternative ways of representing adivasis. Anita Agnihotri's Forest Interludes: A Collection of Journals and Fiction is a multi-genre collection that reflects the author's time spent as an IAS officer in adivasi regions of eastern India. Agnihotri plays the dual role of privileged outsider and informed insider, which lends her narrative a forceful authority. Bhaskaran's life story of the Keralite adivasi activist C.K. Janu, Mother Forest: The Unfinished Story of C.K. Janu, attempts to present adivasi politics as relevant to modern India, yet the formal structuring of the text and the stylistic choices made by the translator and editors undercuts this. Both Forest Interludes and Mother Forest contain formal and stylistic innovations and, though not without problems, they represent a promising departure from traditional literary representations of adivasis - a departure that situates these subaltern peoples within a more contemporary discursive field.View full textDownload full textKeywordsadivasis, feminism, India, literature, representationRelated var addthis_config = { ui_cobrand: "Taylor & Francis Online", services_compact: "citeulike,netvibes,twitter,technorati,delicious,linkedin,facebook,stumbleupon,digg,google,more", pubid: "ra-4dff56cd6bb1830b" }; Add to shortlist Link Permalink http://dx.doi.org/10.1080/09584935.2011.649715

机译：当代印度女权主义关注许多社会正义问题，包括“爱迪瓦西斯”或部族生活的环境。印度在这些民族上有大量工作，但其中很多使他们浪漫化，并且没有将其视为现代，工业化和全球化的印度的居民。在本文中，我将讨论印度女权主义出版社出版的两部作品，它们提供了代表adivasis的新方法和替代方法。阿妮塔·阿格尼霍特里（Anita Agnihotri）的《森林插曲：期刊和小说集》是一本多体类的集锦，反映了作者在印度东部的阿巴帕西地区担任国际会计准则官员的时间。 Agnihotri扮演特权局外人和知情局内人的双重角色，这为她的叙述赋予了强有力的权威。 Bhaskaran关于Keralite adivasi活动家C.K.的生平Janu，《森林母亲》：C.K。未完成的故事雅努（Janu）试图提出与现代印度有关的阿帕西政治，但文本的正式结构以及译者和编辑的文体选择削弱了这一点。 Forest Interludes和Mother Forest都包含形式上和风格上的创新，尽管并非毫无问题，但它们都代表着对传统意义上的adivasis文学表示形式的有前途的偏离-这种偏离将这些次等族群置于一个更现代的话语领域中。女权主义，印度，文学，表示形式相关变量var addthis_config = {ui_cobrand：“泰勒和弗朗西斯在线”，servicescompact：“ citlikelike，netvibes，twitter，technorati，delicious，linkedin，facebook，stumbleupon，digg，google，更多”，pubid：“ ra -4dff56cd6bb1830b“};添加到候选列表链接永久链接http://dx.doi.org/10.1080/09584935.2011.649715

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《Contemporary South Asia》 |2012年第3期|p.327-339|共13页
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Elen Turnera*;
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An unfinished story: The representation of adivasis in Indian feminist literature

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