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Reconsidering Reflexivity: Audience Research and Reality Television

机译:重新考虑自反性:受众研究与现实电视

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摘要

Critiques of reality television assume that audiences enjoy watching participants' humiliation or adopt the reforming injunctions of the shows. This audience research project investigates how people who watch personal makeover shows ("The Biggest Loser, Queer Eye for the Straight Guy, Starting Over, and What Not to Wear) use these texts in meaningful ways. Data from 1,800 survey respondents and 130 interviewees demonstrate that audiences use the shows to be self reflexive, while they also are highly reflexive about media production processes. Furthermore, they are reflexive about their participation in research about a disparaged television genre. Audiences' perception of surveillance and shame in the shows suggest how reflexivity can provide a critical distance from the programs but is not necessarily ideologically freeing.
机译:对真人秀电视的批评是假定观众喜欢观看参与者的屈辱或采用节目的改革性禁令。该受众群体研究项目调查了观看个人化妆节目的人们(“最大的失败者,直觉怪人的眼神,重新开始和不穿什么”)如何有意义地使用这些文字。来自1,800名被调查者和130名受访者的数据表明观众使用节目是自我反省的,他们也对媒体制作过程高度反省,此外,他们对参与贬低的电视流派的研究也很反省。可以提供与程序的临界距离,但不一定在意识形态上解放。

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  • 来源
    《The communication review》 |2015年第4期|37-52|共16页
  • 作者

    KATHERINE SENDER;

  • 作者单位

    Media, Film, and Television, University of Auckland, Arts 2 18 Symonds Street, Auckland 1010, New Zealand;

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  • 正文语种 eng
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