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Watching the Nation, Singing the Nation: London-Based Filipino Migrants' Identity Constructions in News and Karaoke Practices

机译:观看民族,演唱民族:新闻和卡拉OK实践中伦敦移民菲律宾人的身份建构

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摘要

This study explores the identity construction of London-based Filipinos across the media of news and karaoke. In bridging the "public knowledge project" with the "popular culture project," I argue that the seemingly innocent social practice of singing involves raising and erasing of symbolic boundaries. As national identities are constantly flagged in everyday life, I examine how Filipino audiences negotiate multiple attachments in both media practices. From participant observation and qualitative interviews, I discover that news reception generally enables both banal nationalism and banal transnationalism, whereas karaoke junctions more as a homeland-directed "high holiday." I demonstrate how audiences weave in and out of their loyalties to British and Filipino publics across the media of British news, Filipino news, as well as karaoke.
机译:这项研究通过新闻和卡拉OK媒体探索了伦敦的菲律宾人的身份建构。在将“公共知识计划”与“大众文化计划”联系起来时,我认为,看似无辜的唱歌社会实践涉及到象征意义界限的消除。由于民族身份在日常生活中不断受到影响,因此我研究了菲律宾观众如何在两种媒体实践中达成多重依恋。从参与者的观察和定性访谈中,我发现新闻接收通常可以同时促进平庸的民族主义和平庸的跨国主义,而卡拉OK交汇点更多地是由国土主导的“高假期”。我将展示观众如何通过英国新闻,菲律宾新闻以及卡拉OK媒体来表达对英国和菲律宾公众的忠诚度。

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  • 来源
    《Communication, culture & critique》 |2009年第2期|160-181|共22页
  • 作者

    Jonathan Corpus Ong;

  • 作者单位

    Faculty of Social and Political Sciences, University of Cambridge, Cambridge, UK CB2 1TN;

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  • 原文格式 PDF
  • 正文语种 eng
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  • 入库时间 2022-08-18 00:45:07

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