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Cryptic Emotions and the Emergence of a Metatheory of Mind in Popular Filmmaking

机译:大众化电影中的隐秘情绪与心理元理论的出现

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摘要

Hollywood movies can be deeply engaging and easy to understand. To succeed in this manner, feature-length movies employ many editing techniques with strong psychological underpinnings. We explore the origins and development of one of these, the reaction shot. This shot typically shows a single, unspeaking character with modest facial expression in response to an event or to the behavior or speech of another character. In a sample of movies from 1940 to 2010, we show that the prevalence of one type of these shotswhich we call the cryptic reaction shothas grown dramatically. These shots are designed to enhance viewers' emotional involvement with characters. They depict a facial gesture that reflects a slightly negative and slightly aroused emotional state. Their use at the end of conversations, and typically at the end of scenes, helps to leave viewers in a state of speculation about what the character is thinking and what her thoughts may mean for the ongoing narrative.
机译:好莱坞电影可以吸引人并且易于理解。为了以这种方式获得成功,长篇电影采用了许多具有强大心理基础的编辑技术。我们探索其中一种反应射击的起源和发展。这张镜头通常会显示一个单一的,不说话的人物,并具有适度的面部表情,以响应事件或另一个人物的行为或讲话。在1940年至2010年的电影样本中,我们证明了一种被称为“隐秘反应镜头”的镜头的流行率急剧上升。这些镜头旨在增强观众对角色的情感投入。他们描绘出一种面部表情,反映出一种轻微的消极和唤醒的情绪状态。在对话结束时(通常在场景结束时)使用它们有助于使观众处于猜测状态,即角色在想什么以及她的想法可能对正在进行的叙事意味着什么。

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