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Emotional and aesthetic attachment to digital artefacts

机译:对数字文物的情感和美学依恋

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We report a pair of repertory grid studies that explore the attachment people have for digital and non-digital artefacts. In the first study we found no clear distinctions between emotional attachment to digital and non-digital artefacts: people are attached to their mobile phones in much the same way as to a childhood teddy bear. There was also evidence that attachment and the physical availability or proximity of the artefact were associated. In the second study we examined the aesthetics of attachment to digital and non-digital artefacts. Again the proximity or availability of the artefacts appeared to be important. Items that were carried about or worn, such as wristwatches and laptops, were closely associated, while TVs and games consoles were not. In all, there does not appear to be any qualitative difference between the attachment people have for digital and non-digital artefacts. Nor do aesthetics appear to play a part in this attachment. However, the physical proximity of these artefacts is strongly associated with our (inward) feelings of attachment to them, while we can also recognise the importance of this relationship to how we (outwardly) present ourselves to the world and others.
机译:我们报告了一对资料库研究,以探索人们对数字和非数字人工制品的依恋。在第一项研究中,我们发现情感对数字人工制品和非数字人工制品的依恋没有明显的区别:人们对手机的依恋与对童年泰迪熊的依恋几乎相同。也有证据表明,附件与人工制品的物理可用性或邻近程度相关。在第二项研究中,我们研究了对数字和非数字人工制品的依附美学。同样,文物的接近性或可用性似乎很重要。随身携带或穿戴的物品(例如手表和笔记本电脑)紧密相关,而电视和游戏机则没有。总体而言,人们对数字和非数字人工制品的依恋似乎在质量上没有任何区别。在这种依恋中,美学似乎也不起作用。然而,这些人工制品的物理接近度与我们(向内)对它们的依恋感密切相关,同时我们也可以认识到这种关系对于我们(向外)向世界和他人展示自己的方式的重要性。

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