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Making sense of absence Tsai Ming-liang's cinematic portrayals of cities

机译:蔡absence良的城市电影写照

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Based on Tsai Ming-liang's cinematic portrayals of cities, I argue for consideration and appreciation of artistic devices in our thinking and writing on cities. Specifically, I look into four types of absence the Taiwanese director engages with: absence of movement, absence of speech, absence of home and absence of infrastructure. Tsai depicts absence by extrapolating what seem to be inherent elements of an urban situation or an urban setting thus disrupting their taken-for-grantedness. Tsai's multi-layered preoccupation with the notion of absence and the visual language he develops to talk about it may be inspiring for urban researchers, especially those among us working with visual methods. After introducing his work and elaborating on its urban contexts, I will investigate Tsai Ming-liang's use of absence as a method of inquiring into various aspects of urban life, particularly those involving interactions with infrastructure. In the spirit of interdisciplinary and inclusive thinking promoted by City, I will conclude by reiterating the validity of cinema-among other arts-as a tool for critical reflection on cities.
机译:基于蔡明亮对城市的电影刻画,我主张在对城市的思考和写作中考虑和欣赏艺术手段。具体来说,我研究了台湾导演所参与的四种缺勤类型:无动静,无言语,无住所和基础设施。蔡通过推断似乎是城市状况或城市环境的内在因素,从而破坏了他们的理所当然的表现来描绘出缺席。蔡(Tsai)对缺勤和他开发的视觉语言的多层关注,可能会激发城市研究人员的灵感,尤其是我们当中从事视觉方法研究的人员。在介绍他的作品并详细阐述其城市背景之后,我将研究蔡明亮对缺勤的利用,以此作为研究城市生活各个方面的方法,尤其是涉及与基础设施互动的方面。本着本市倡导的跨学科和包容性思维的精神,我将通过重申电影以及其他艺术作为对城市进行批判性反思的工具的有效性来得出结论。

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