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Imogens do Povo Visual narratives from the favelas towards a new city

机译:imogens从favelas朝向一个新城市做的povo视觉叙述

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Imagens do Povo (Images of the People) is a photography collective located in Nova Holanda, a favela in Rio de Janeiro that aims to democratise access to photographic language. It is a node for training, networking and the insertion of popular photographers into the job market, developing actions across education, communication and art. Its focus is on promoting documentary photographers whose work values the histories and cultural practices of favela communities. The programme combines photographic technique with social issues, recording the daily life of favelas, using a critical perspective that takes into account human rights, culture and place. In this process, photographers and communities rescue and strengthen their identity ties through the use of photographic language, which becomes an instrument for accessing and mapping different cultural expressions of the places where they live. The collective's politicised and humanist photographic practice produces images of powerful, joyous and creative favelas; contrasting with dominant representations of favelas as spaces of need and violence. Favelas are also often regarded as peripheral in the mass media and collective imagination, contributing to their marginalisation and exclusion. However, favelas are often located within the centre of the city and Imagens do Povo present these informal urban settlements as much more than a response to housing demand; representing them as legitimate expressions of lifestyles that have the power to revolutionise the city and overcome its inequalities and socio-spatial hierarchies. Therefore, Imagens do Povo affirm the periphery as the centre and create, develop and expand, both materially and symbolically, the contemporary city.
机译:想象力做Povo(人物的图像)是位于新霍兰达的摄影集体,是Rio de Janeiro的Favela,旨在民主化对摄影语言的访问。它是一个节点,用于培训,网络和流行摄影师进入就业市场的节点,在教育,沟通和艺术上发展行动。它的重点是促进纪录片的摄影师,其工作价值为Favela社区的历史和文化实践。该计划将摄影技术与社会问题相结合,记录了Favelas的日常生活,使用了考虑了人权,文化和地点的批判性观点。在这一过程中,摄影师和社区通过使用摄影语言来拯救并加强其身份关系,这成为一个用于访问和绘制他们所居住的地方不同文化表现的乐器。集体的政治化和人文摄影实践产生了强大,欢乐和创造性的贫民的图像;与Favelas主导表示的对比作为需要和暴力的空间。 Favelas通常在大众媒体和集体想象中被视为外围,有助于它们的边缘化和排斥。然而,Favelas通常位于市中心内,图象可以为这些非正式的城市定居点提供远远超过住房需求的回应;代表他们作为具有彻底改变城市的能力的生活方式的合法表达,并克服其不平等和社会空间层次结构。因此,POVO的Imago肯定了周边作为中心,创造,开发和扩展,实际和象征性,当代城市。

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