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Lost in transition? Emerging forms of residential architecture in Kathmandu

机译:迷路了吗?加德满都的新兴住宅建筑形式

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Kathmandu has been the last few cities in the world which retained its medieval urban culture up until twentieth century. Various Hindu and Buddhist religious practises shaped the arrangement of houses, roads and urban spaces giving the city a distinctive physical form, character and a unique oriental nativeness. In recent decades, the urban culture of the city has been changing with the forces of urbanization and globalization and the demand for new buildings and spaces. New residential design is increasingly dominated by distinctive patterns of Western suburban ideal comprising detached or semi-detached homes and high rise tower blocks. This architectural iconoclasm can be construed as a rather crude response to the indigenous spaces and builtform. The paper attempts to dismantle the current tension between traditional and contemporary 'culture' (and hence society) and housing (or builtform) in Kathmandu by engaging in a discussion that cuts across space, time and meaning of building. The paper concludes that residential architecture in Kathmandu today stands disoriented and lost in the transition. (C) 2015 Elsevier Ltd. All rights reserved.
机译:加德满都一直是世界上最后几座保留中世纪城市文化直至20世纪的城市。各种印度教和佛教宗教习俗塑造了房屋,道路和城市空间的布局,使这座城市具有独特的物理形态,特征和独特的东方乡土风情。近几十年来,随着城市化和全球化的力量以及对新建筑物和新空间的需求,城市的城市文化正在发生变化。新住宅设计越来越受西方郊区理想的独特模式支配,包括独立式或半独立式房屋以及高层塔楼。这种建筑的圣像破坏可以解释为对土著空间和建筑形式的粗略反应。本文试图通过探讨跨越建筑的空间,时间和意义的讨论,来消除加德满都传统与当代“文化”(以及社会)与房屋(或建筑形式)之间的当前紧张关系。本文得出的结论是,如今加德满都的住宅建筑迷失了方向,并在转型中迷失了方向。 (C)2015 Elsevier Ltd.保留所有权利。

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