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Contemporary art from a city at war: The case of Gaza (Palestine)

机译:战争中城市的当代艺术:以加沙为例(巴勒斯坦)

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Despite the political and economic turmoil since the beginning of the 2000's, the Gaza Strip has witnessed great vitality in its artistic scene. Most Palestinian artists actually come from Gaza, and a significant number of them have recently managed to gain international visibility. Besides the capacity of art to provide alternative visual narratives of a besieged city, art in this context is a tool that participates in construction of the city itself. This article aims to explore the interaction between art production and the backdrop of war within an urban landscape. It bears witness to the great artistic vitality of the Gazan people and moreover highlights Gaza's emerging cultural scene and the role increasingly played by the media and social networks, in contrast with the simplistic images often being conveyed. Based on both semi-structured interviews held with Gazan artists and participant observation in the local visual arts scene, this article seeks to shed light on the relationship between art and city in a context of urban crisis, through recognising Gaza's place as a Palestinian urban centre. Central to the issue of Palestinian national question and to potential breakthroughs in the Israeli-Palestinian conflict, Gaza is also relevant to understanding a number of challenges facing Arab and Muslim societies. Examining Gaza's art production in this specific context is crucial to comprehending how art participates in building a new city, beyond the media's narrowly stereotyped images.
机译:尽管自2000年代初以来发生了政治和经济动荡,但加沙地带在其艺术舞台上仍展现出巨大的生命力。实际上,大多数巴勒斯坦艺术家都来自加沙,其中很大一部分最近已获得国际知名度。除了艺术能够为被围困的城市提供替代性的视觉叙事之外,在这种情况下,艺术还是参与城市自身建设的一种工具。本文旨在探讨城市景观中艺术生产与战争背景之间的相互作用。它见证了加沙人民巨大的艺术生命力,并且突出了加沙新兴的文化景观以及媒体和社交网络日益发挥的作用,与通常传达的简单形象形成对比。基于对加沙艺术家的半结构化访谈以及在当地视觉艺术界的参与者观察,本文旨在通过认识加沙作为巴勒斯坦城市中心的位置,揭示在城市危机背景下艺术与城市之间的关系。对于巴勒斯坦民族问题和以巴冲突的潜在突破而言,加沙至关重要,它对理解阿拉伯和穆斯林社会面临的许多挑战也很重要。在这种特定情况下,检查加沙的艺术作品对于理解艺术如何参与超越媒体的刻板印象的新城市建设至关重要。

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