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The Pool of Life: Liverpool, Rock Music and the Roots of Urban Creativity

机译:生命池:利物浦,摇滚音乐和城市创造力的根源

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During the 1960s (and with a slight reprise in the 1980s) Liverpool, an apparently peripheral, worn out and bomb damaged British seaport, saw an extraordinary burst in urban creativity, centred on rock music, poetry and the visual arts, and culminating in the emergence of the Beatles.The psychoanalyst Carl Jung referred to Liverpool as 'the Pool of Life'; poet Allen Ginsberg as the 'centre of consciousness of the human universe'. Why did it happen at all, and of all places, why did it happen in Liverpool? This paper looks for explanations in economic and cultural history,in the biographies of key individuals, in the little known connections between Liverpool's history and the emergence of American blues and country music, and in insights from various theories of creativity and innovation. It asks whether there are lessons for other cities looking for regenerationin cultural and creative policies, whether there are lessons for Liverpool, and not least whether Liverpool might yet see a further burst of creative output.
机译:在20世纪60年代(在20世纪80年代略有重新调用)利物浦,明显的周边,磨损和炸弹损坏了英国海港,在城市创造力中爆发了非凡的爆发,以摇滚音乐,诗歌和视觉艺术为中心,并最终甲壳虫乐队的出现。精神分析仪Carl Jung提到利物浦作为“生命池”;诗人Allen Ginsberg成为“人类宇宙意识中心”。为什么它一直发生,以及所有地方,为什么在利物浦发生?本文在关键人的传记中寻找经济文化史的解释,在利物浦历史与美国蓝调和乡村音乐的出现之间的鲜为人知的联系,以及来自创造力和创新的各种理论的见解。它询问了其他城市是否有寻找再生文化和创造性政策的课程,是否有利物浦的课程,并非最不重要的是利物浦是否可能看到进一步的创造性产出爆发。

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    《Built environment》 |2020年第2期|313-332|共20页
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