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Emmys Certify CBS's Tiffany-Net Comeback

机译:艾美奖认证哥伦比亚广播公司的蒂凡尼网卷土重来

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摘要

When Everybody Loves Raymond premiered in 1996, executive producer Phil Rosenthal was chid-ed for making a sitcom that was so, well, so much like a sitcom, a throw-back to the days when comedy on television was not necessarily bawdy or exclusively populated by swinging, single twen-tysomethings. It may have sounded radically retro, but Raymond, introduced in the first full year that Leslie Moonves controlled the network's prime time schedule, was crucial. He spent years chiding critics for overlooking it even as viewers were finding it. Eventually, though, that thoroughly normal sitcom and a weird little show named Survivor became the cornerstones in rebuilding the beaten-down and Tisched-out CBS.
机译:1996年,《每个人都爱雷蒙德》(Everybody Loves Raymond)首映时,执行制作人菲尔·罗森塔尔(Phil Rosenthal)因制作情景喜剧而倍受赞誉,这种情景喜剧非常像情景喜剧,倒退到电视喜剧不一定笨拙或人口众多的时代通过摇摆,二十多岁。听起来可能完全是复古的,但雷蒙德(Raymond)在第一年就引入莱斯利·穆恩维斯(Leslie Moonves)控制该网络的黄金时段,这一点至关重要。即使观众发现了它,他却花了很多年来指责批评者忽略它。最终,尽管如此,那部完全正常的情景喜剧和一个名为Survivor的怪异小节目成为了重建垮台和Tisched-out CBS的基石。

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