ANNE DE GEER

摘要

A man sits in a leather armchair facing the camera, unobtrusively dressed, arms resting comfortably on the side supports. His alert but relaxec posture indicates that he is ready for his close-up. There': just one odd, disquieting detail: his head is completely obscured by a paper bag. The viewer does arnmental double take, confronted with a vision in which intention and interpretation do not seamlessly dovetail.