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What the awful Woody Allen scandal says about pre- and post-internet media culture

机译:可怕的伍迪·艾伦(Woody Allen)丑闻所说的关于互联网前后媒体文化

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One stray detail that's emerged amidst the Woody Allen/Dylan Farrow saga: Allen doesn't go online. As Robert B. Weide, director of the 2011 PBS documentary "Woody Allen: A Documentary," wrote in his highly viral late-January Daily Beast post titled "The Woody Allen Allegations: Not So Fast," Allen only emails by proxy, via his assistant; he still pounds out missives on a manual typewriter. An innocuous but telling detail-and one that paints a picture of a 78-year-old man in a bubble, both isolated from and subject to the minute-by-minute obsessions of a web-centric public. As Allen has been busy pecking away on his Olympia SM-3 for the past six decades-it's reportedly the only typewriter he's ever owned-the media culture around him has changed so drastically as to be, in many ways, unrecognizable.
机译:伍迪·艾伦(Woody Allen)/迪伦·法罗(Dylan Farrow)传奇故事中出现了一个流浪细节:艾伦没有上网。正如2011 PBS纪录片《伍迪·艾伦:纪录片》的导演罗伯特·B·魏德在1月下旬的《每日野兽》中极具病毒性的帖子中写道:“伍迪·艾伦的指控:没那么快”。他的助手;他仍然用手动打字机敲击文字。这是一个无伤大方但讲究细节的作品,它描绘了一个现年78岁的男子在泡沫中的照片,既与以网络为中心的公众一丝不苟地相互隔离,又受他们的困扰。在过去的六十年里,由于艾伦(Allen)忙着啄食他的Olympia SM-3(据报道,这是他唯一拥有的打字机),他周围的媒体文化已经发生了巨大变化,以至于在许多方面变得不可识别。

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    《B to B》 |2014年第4期|40-40|共1页
  • 作者

    Simon Dumenco;

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  • 入库时间 2022-08-17 13:12:04

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