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摘要

The pervasiveness of immersive audio is primarily driven by the need to keep up with higher resolution and 360 visuals, placing viewers in the 'middle of the action' with a central listening perspective. In such applications, 3D audio becomes essential as without it, the experience and the artistic intention will break. And thanks to the introduction of affordable, standalone VR goggles, the appeal to the mainstream will continue to grow. And with this, so too will the need for developing workflows for live VR broadcasts, making it possible to bring the thrill of realistic and 'best seat in the venue' experiences to countless fans of concerts and sporting events.