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首页> 外文期刊>Australian Journalism Review >Building on #MeToo and #MeNoMore: Devising a framework to examine sexual violence in Australian music journalism
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Building on #MeToo and #MeNoMore: Devising a framework to examine sexual violence in Australian music journalism

机译:在#MeToo和#MeNoMore的基础上:设计一个框架来检查澳大利亚音乐新闻业中的性暴力

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摘要

Allegations against film producer Harvey Weinstein, co-owner of US entertainment company Miramax Films, which led to the revitalized #MeToo movement of October 2017, gave global recognition to the sexual violence (sexism, misogyny, sexual harassment, assault and rape) that women experience in the creative industries. As a spin-off, the #MeNoMore campaign in December 2017 resulted in more than 400 women working in the Australian music industry speaking out against similar behavior. Despite having a reputation for sexual violence, the local music press played a minor role in this hashtag development, claiming that its practices are tied to radical, liberal and progressive values. In the post-Weinstein, #MeToo and #MeNoMore era, this contradiction signifies that the Australian music press is fertile ground for a feminist investigation. However, to date minimal local
机译:针对美国娱乐公司Miramax Films的共同所有人电影制片人Harvey Weinstein的指控导致了2017年10月的#MeToo运动复兴具有创意产业的经验。作为衍生产品,2017年12月的#MeNoMore活动导致澳大利亚音乐行业的400多名女性大声疾呼反对类似行为。尽管在性暴力方面享有盛誉,但当地的音乐媒体在这一标签发展中只扮演了次要角色,声称其做法与激进,自由和进步的价值观联系在一起。在后温斯坦时代,#MeToo和#MeNoMore时代,这种矛盾表明澳大利亚音乐出版社是进行女权主义调查的沃土。但是,迄今为止,最少的本地

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