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Distributing TV dramas in the digital environment: a Korean case

机译:在数字环境中分发电视剧:韩国案例

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While 'windowing' as a vehicle for intertemporal price discrimination has been the traditional distribution strategy for TV programs, new digital technologies are calling for new distribution methods. In this study, we examine the changing distribution patterns for TV dramas in Korea. Analysis of primetime dramas that were aired on terrestrial broadcasting networks (KBS, MBC, SBS) in Korea during 2004-2006 shows that the temporally linear sequence of windowing is being replaced by a strategy of (near) simultaneous distribution across all available channels. However, focusing on cable channels and Internet video-on-demand, this study finds that the influence of a program's performance during its first run on a broadcast network on its performance in other channels is as strong as ever in this simultaneous diffusion pattern of distribution. We also find that programs with lower audience homogeneity do better in any medium. The qualities of popular TV programs as we have known them do not seem to have changed drastically. However, it seems that audiences have fragmented into cable or video-on-demand (VOD) subgroups with viewers choosing a medium based on its accessibility or their familiarity with it.
机译:尽管“窗口式”作为跨时价格歧视的手段一直是电视节目的传统发行策略,但新的数字技术正在呼吁采用新的发行方法。在这项研究中,我们研究了韩国电视剧发行模式的变化。对2004-2006年在韩国地面广播网络(KBS,MBC,SBS)上播出的黄金时段电视剧进行的分析显示,开窗的时间线性顺序已被一种在所有可用频道上同时分发的策略所取代。但是,针对有线频道和互联网点播,这项研究发现,在这种同时分布的分发模式中,节目在广播网络上首次运行时的性能对其在其他频道上的性能的影响与以往一样强烈。 。我们还发现,受众同质性较低的节目在任何媒体中的效果都更好。我们所知道的流行电视节目的质量似乎并没有发生太大变化。但是,似乎观众已经分为有线电视或视频点播(VOD)子组,观众根据媒体的可访问性或熟悉程度来选择媒体。

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