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The personal versus the institutional voice in an open photographic archive

机译:开放的摄影档案中的个人声音与机构声音

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In an open photographic archive where both archival institutions and the general public can upload images and provide them with descriptions, a noted difference can be perceived between the institutional voice and the personal voice. Private persons’ written descriptions of their photographs tend to have a more subjective style than the neutral, objective style of descriptions written by institutional staff influenced by archival guidelines. Seven examples from the site Historypin will be analysed using semiotics, rhetoric and genre theory as theoretical approaches. Deixis is a key concept in the analyses. In order to discern the institutional voice, meta-genre documents like archival guidelines have been studied. Regarding the personal voice, it is shown how genres that evolved long before the web serve as patterns for the contributions to Historypin, and at the same time how these genres undergo a renewal in this context. The article concludes by suggesting ways the personal voice could be strengthened and that institutions might benefit from creating fictional stories emulating the personal voice.
机译:在开放的摄影档案馆中,档案机构和公众都可以上传图像并提供描述,在机构声音和个人声音之间可以看到明显的差异。与受存档准则影响的机构工作人员所写的中性,客观描述风格相比,私人对照片的书面描述往往具有更主观的风格。将使用符号学,修辞学和体裁理论作为理论方法来分析Historypin网站上的七个示例。 Deixis是分析中的关键概念。为了识别机构声音,已经研究了诸如存档指南之类的元类型文档。关于个人声音,它显示了早在网络上发展起来的流派如何成为对Historypin的贡献的模式,同时这些流派如何在此背景下进行更新。文章的结尾提出了可以增强个人声音的方法,并建议机构可以从创建模仿个人声音的虚构故事中受益。

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