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Up, Up, and Away

机译:涨涨客场

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Biarke ingels, architecture's latest wunderkind, looks like he's 25. You've seen him, no doubt, either in magazines or on the lecture circuit: a strapping Dane with casually mussed hair, a strong jaw, and a bold-graphic on his T-shirt. If there is any living architect who might be expected to rush into a telephone booth and emerge wearing a bodysuit and cape, it is him. Ingels, who is actually a still-youthful 36, does in fact imagine himself as something of an architectural superman. His recent monograph, Yes Is More: An Archicomic on Architectural Evolution ($29.99; Taschen, 2010), is presented in the form of an inch-thick graphic novel, and there is no question as to the identity of its avenging hero—never mind that the comic book is the work of his firm, Bjarke Ingels Group (BIG).
机译:比亚克·恩格尔斯(Biarke ingels),建筑学的最新神童,看起来像他25岁。毫无疑问,无论是在杂志上还是在演讲台上,您都已经见过他:绑着丹恩犬的头发随随便便的抚摸着头发,结实的下巴,T恤上有醒目的图形-衬衫。如果有人希望活着的建筑师冲进电话亭穿上紧身衣和披肩出现,那就是他。英格斯(Ingels)实际上还是个青春的36岁,但他的确将自己想象成一名建筑超人。他最近的专着《是的就是更多:建筑进化的考古学》(29.99美元;塔申,2010年)以一英寸厚的图形小说形式呈现,毫无疑问,它的报仇英雄的身份-没关系该漫画书是他的公司Bjarke Ingels Group(BIG)的作品。

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    《Architecture》 |2011年第7期|p.7679|共2页
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  • 入库时间 2022-08-18 00:23:00
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