Over the past century, Russian architectural traditions have subsumed each other like matryoshka dolls-the futuristic, Revolution-inspired ethos of Constructivism, the grim and grand monuments of Stalinism, the concrete blocks of Brutalism. Now, a quarter century after the thaw of the Cold War, foreign architects have started infiltrating the former Eastern Bloc, infusing the region with sustainable practices and dynamic designs. In April, three American architects convened at the Trespa Design Centre New York to discuss the phenomenon: Henry Myerberg, FAIA, whose firm, HMA2 Architects, designed the campus for the American University of Central Asia, in Bishkek, Kyrgyzstan; Dan Kaplan, FAIA, of FXFowle Architects, who designed the Qala Alti Hotel Spa on a mountainside in Shabran, Azerbaijan; and Lee Skolnick, FAIA, of Lee H. Skolnick Architecture + Design Partnership (LHSA+DP), which designed Muzeiko, a children's museum in Sofia, Bulgaria.
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机译:在过去的一个世纪中,俄罗斯的建筑传统彼此融合在一起,就像俄罗斯套娃一样,这是未来派,受革命启发的建构主义精神,斯大林主义的严峻和宏伟纪念碑,野蛮主义的具体组成部分。现在,在冷战解冻四分之一世纪之后,外国建筑师已经开始渗透到前东方集团,为该地区提供可持续的实践和充满活力的设计。 4月,三名美国建筑师在纽约千思板设计中心开会讨论这一现象:FAIA的Henry Myerberg,其公司HMA2 Architects为吉尔吉斯斯坦比斯凯克的中亚美国大学设计了校园; FXFowle Architects的FAIA的Dan Kaplan,在阿塞拜疆Shabran的山腰上设计了Qala Alti Hotel Spa; Lee H. Skolnick建筑与设计合作伙伴关系(LHSA + DP)的FAIA的Lee Skolnick,后者设计了保加利亚索非亚儿童博物馆Muzeiko。
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