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'They were discussing what it means for architecture when young people are not given the space to experiment. I guess we were at the right place at the right time'

机译:``他们正在讨论没有给年轻人实验空间的建筑的意义。我猜我们在正确的时间在正确的地方

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摘要

"Treatise: Why Write Alone?," organized by Jimenez Lai, brings together 14 young design offices to consider the architectural treatise as a means of theoretical inquiry, experimentation, and debate. The exhibition, on view at the Graham Foundation in Chicago until March 28, is accompanied by a series of volumes, with each firm publishing its own title. How did Lai choose the contributors, which include Andrew Kovacs (Los Angeles), Bittertang (New York), Norman Kelley (Chicago and New York), and Speedism (Brussels)? "Generally speaking, they don't do anything useful," he says by way of explanation. "They do impractical things, or things that are not immediately remedial, or that are even somewhat unprofessional."
机译:赖希曼(Jimenez Lai)举办的“创世纪:为什么要一个人写作?”汇集了14个年轻的设计事务所,将建筑学论文视为理论研究,实验和辩论的一种手段。展览将于3月28日在芝加哥的格雷厄姆基金会(Graham Foundation)展出,并附有一系列的展览,每家公司都有自己的标题。赖如何选择贡献者,包括安德鲁·科瓦克斯(Andrew Kovacs)(洛杉矶),毕特当(Bittertang)(纽约),诺曼·凯利(Norman Kelley)(芝加哥和纽约)和Speedism(布鲁塞尔)?他在解释中说:“通常来说,它们没有任何用处。” “他们做不切实际的事情,或者没有立即补救的事情,或者甚至有些不专业的事情。”

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  • 来源
    《Architecture》 |2015年第3期|53-5456-59|共6页
  • 作者

    Danielle Rago;

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