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Twenty examples from twenty years: timber construction in Salzburg

机译:二十年来二十例例子:萨尔茨堡的木材建筑

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If you ask someone about contemporary timber construction in Austria, Salzburg is certainly not the first place that comes to mind. As a quintessential city of stone, even 19th-century authors sought to characterise the genius loci through the metaphor of music transformed into stone. Although wood was used almost exclusively to build in the nearby coun-tryside, the tradition of timber construction that emerged was robust but not highly refined. Prestigious buildings took cues from the city, which was and is made of stone. Up until the end of the 20th Century, building regulations put timber at a disadvantage; larger multi-storey buildings only became possible after revisions to the Salzburg building code in 1996 and 2004. This more recent development is the focus of the exhibition "Holzbau Salzburg | 20 Years | 20 Examples" designed by Eva Zangerle. It clearly shows that in timber construction, Salzburg has undergone development of aston-ishing density over the past 20 years. Never-theless, pioneering buildings had been built even earlier, which is all the more remarkable despite, or precisely because of, the difficult constraints. Gerhard Garstenauer's residence and Studio (1980) has long been considered a classic of modern timber construction, but Friedrich Brandstätter's residential village from the mid-1980s, Noah's Ark, can also be counted among the pioneers of ecologically sustainable design. Roughly ten years later, a group of young architects around mastermind Max Rieder conceived the housing project "Holzstoss", which unfortunately was never built. By that time Rieder himself had already built his duplex house in Grödig near Salzburg, creating an avant-garde timber home that gained attention far beyond the region. With its numerous essays, the catalogue that accompanies the show is a detailed compan-ion to the exhibition. Monika Brunner-Gaurek, building researcher at the open-air museum in Großgmain, describes in her essay the histori-cal timber construction methods used in Salzburg. In his article, Peter Nigst places the region's more recent timber construction tradition in the context of national as well as international developments, thus making a laud-able contribution to the qualitative positioning of the buildings presented. Herbert Lechner and Tom Kaden from TU Graz address eco- nomic aspects and their advantages for climate-neutral construction. In addition to portraying developments since 1999, the aim was to make the ränge of building projects and construction techniques and materials comprehensible to the widest possible audience. Hence the exhibition appeals to visitors with sensorial and interactive ele-ments that demonstrate the possibilities of timber construction technology and the oppor-tunities they offer for our future. Devised less as an exploration of architectural history, it purposely relies on graphic clarity and materi-ality to convey the role of timber in the context of a new, regional building culture. The exhibition runs through 2 July 2021 at Architekturhaus Salzburg.
机译:如果您向某人询问奥地利的当代木材建筑,萨尔茨堡肯定不是第一个想到的地方。作为一个典型的石头,即使是19世纪的作者也试图通过转化为石头的音乐的隐喻来描述Genius基因座。虽然木材几乎专门用于建立在附近的国家,但出现的木材建筑传统是强壮的,但没有高度精致。着名的建筑从城市提出暗示,这是由石头制成的。直到20世纪末,建设法规将木材放在劣势;较大的多层建筑物在1996年和2004年对萨尔茨堡建筑守则修订后才能成为可能的。这一更新的发展是展览“Holzbau Salzburg | 20年| 20年”设计的重点是Eva Zangerle。它清楚地表明,在木材建设中,萨尔茨堡在过去20年中经历了阿斯顿岛密度的开发。从来没有 - 尽管如此,开创性的建筑也是更早的建造,这一切都是非常显着的,或者正是因为困难的限制。 Gerhard Garstenauer的住所和工作室(1980年)长期以来一直被认为是一座经典的现代木材建筑,但弗里德里希巴朗斯特特的住宅村从20世纪80年代中期的诺亚方舟,也可以在生态可持续设计的先驱之中计算。大约十年后,一群年轻的建筑师周围的大师MINAR RIEDER构想了“Holzstoss”的住房项目,不幸的是从未建造过。到那时,Rieder本人已经在萨尔茨堡附近的Grödig建立了他的双工房,创造了一个前卫木屋,远远超过该地区的关注。凭借其众多论文,伴随着该展示的目录是展览的详细公司。在Großgmain的Open-Air Museum建立研究员Monika Brunner-Gaurek描述了她在萨尔茨堡使用的历史校友木材施工方法中。在他的文章中,彼得·尼格斯特在国家和国际发展的背景下,该地区最近的木材建设传统,从而为所提出的建筑物的定性定位作出赞同的贡献。赫伯特·莱希纳和汤姆卡登从涂格拉茨解决了生态方面及其对气候中性建设的优势。除了自1999年以来描绘发展之外,目的是使建筑项目和建筑技术和材料的ränge致密地达到最广泛的受众。因此,展览对具有感官和互动的人的游客吸引了展示木材施工技术的可能性和他们未来所提供的占运者的可能性。设计较少作为对建筑历史的探索,它目的依赖于图形清晰度和材料,以传达木材在新区域建筑文化的背景下的作用。展览于2021年7月2日在Architekturhaus Salzburg经营。

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