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KnitCandela: concrete formwork out of the suitcase

机译:KnitCandela:手提箱中的混凝土模板

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It appears that (digital) building is indeed returning to materiality, but this time no longer based on cultural history but on building technology. The project KnitCandela, which is seen as a homage to the Spanish-Mexican architect Felix Candela (1910-1997), was realized recently at the Museo Universitario Arte Contemporaneo (MUAC) in Mexico City. But whereas Candela had to use uniform hyperbolic and parabolic forms for his spectacular concrete structures, KnitCandela offers completely new possibilities: digitally fabricated knitted formworks which allow an equally efficient and precise realisation of free-form concrete structures. A five tonne, double curved concrete structure could be made in the space of just a few weeks, the textile formwork used to make it weighed only 55 kg, including tension reinforcement! Hardly any less fascinating is the fact that this knitted formwork could be brought to Mexico in a suitcase. KnitCandela is based on close cooperation between the Computational Design Gruppe of Zaha Hadid Architects, the Block Research Group of the ETH Zürich and Architecture Extrapolated. Alongside the computer-based design process it is above all the digital building process that stands out: to produce the formwork an industrial sewing machine was used. This machine could process more than 350 km of polyester threads in only 36 hours and allowed the textile formwork to be made in four individual strips, each consisting of two layers. The lower layer forms a coloured, patterned soffit that relates to the colourful textile art of Central America; the upper layer was made with pockets for the reinforcement cables and with hollow chambers. The strips of fabric were then stretched on site in a temporary frame and, by means of steel cables, were brought into their (three-dimensional) form. To stabilise and seal it the textile formwork was sprayed with a special cement mix. In the last step a standard fibre-reinforced concrete was applied. That a building system of this kind is not only very material-efficient and highly economical, as conventional formwork constructions are not needed, but also saves a considerable amount of time is shown by the speed with which this project could be realized. Only five weeks were required.
机译:看来(数字)建筑确实正在恢复实质性,但是这次不再基于文化历史而是基于建筑技术。 KnitCandela项目被视为对西班牙墨西哥建筑师Felix Candela(1910-1997)的敬意,最近在墨西哥城当代艺术博物馆(MUAC)得以实现。但是,坎德拉在其壮观的混凝土结构中必须使用统一的双曲线和抛物线形形式,而KnitCandela则提供了全新的可能性:数字化制造的编织模板,可以同样高效,精确地实现自由形混凝土结构。在短短几周内就可以制造出五吨重,双弯曲的混凝土结构,用于制造它的纺织品模板仅重55公斤,其中包括抗拉强度!如此令人着迷的是,这种针织模板可以放在手提箱中带到墨西哥。 KnitCandela基于Zaha Hadid Architects的计算设计小组,苏黎世联邦理工学院的Block Research Group和Architecture Extrapolated之间的密切合作。除了基于计算机的设计过程外,最重要的是数字建筑过程:为了生产模板,使用了工业缝纫机。这台机器仅需36个小时即可处理350公里以上的聚酯线,并且可以将纺织品模板制成四个独立的条带,每条带分为两层。下层形成彩色的图案拱腹,与中美洲的多彩纺织艺术有关。上层由用于加固电缆的口袋和中空室制成。然后将织物条在临时框架中就地拉伸,并通过钢缆使其变为(三维)形式。为了稳定和密封它,在纺织品模板上喷涂了特殊的水泥混合物。在最后一步中,使用了标准的纤维增强混凝土。这种建筑系统不仅不需要很高的材料效率而且非常经济,因为不需要传统的模板结构,而且可以节省大量的时间。只需要五个星期。

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