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Marie Short House / Glenn Murcutt House

机译:玛丽短屋(Marie Short House)/格伦·默卡特(Glenn Murcutt House)

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摘要

What kind of vision did you have for this house? My earliest buildings were influenced by Mies-ian Modernism, but my design for the Marie Short House was very different, and very personal -it grew out of things I learned when I was a boy. Before I became interested in architecture I was interested in flight. I designed model aircraft, and I learned that when air passes over a curved wing it becomes speeded up and produces a layer of low pressure and lift. Years later, I used that idea when I designed the roof at the Short house. The roof echoes the shapes of nearby historic farm sheds, but, really, I used the curved roofs to speed up the prevailing wind as it passes, and have it suck out hot air from the gap between the flat ceiling and the curved ridge. I made the walls layers of glass louvres and aluminium slats and mesh screens that could be adjusted as the weather changed - like sailing a yacht, or flying a small plane. That became one of the guiding ideas of all my subsequent works -the idea that you participate in the life of your house. You live with the building - you don•t just live in it.
机译:您对这所房子有什么样的看法?我最早的建筑受到密斯现代主义的影响,但我为玛丽短屋设计的风格却与众不同,而且非常个性化-它源于我小时候学到的东西。在对建筑感兴趣之前,我对飞行很感兴趣。我设计了飞机模型,并了解到,当空气经过弯曲的机翼时,它会加速并产生一层低压和升力。几年后,当我在短屋设计屋顶时,我就采用了这个想法。屋顶呼应附近历史悠久的农舍的形状,但实际上,我使用弯曲的屋顶来加速盛行的风速,并从平坦的天花板和弯曲的山脊之间的间隙中吸出热空气。我制作了玻璃百叶窗,铝板条和筛网的墙壁层,可以根据天气的变化进行调整,例如乘游艇或乘小型飞机。这成为我以后所有作品的指导思想之一,即您参与房屋生活的想法。您与建筑物一起生活-您不仅居住在其中。

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    《建築と都市》 |2016年第maysuppla期|34-39|共6页
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