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Sebastian Irarrazaval Casa 2Y

机译:塞巴斯蒂安·伊拉拉萨瓦(Sebastian Irarrazaval)Casa 2Y

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摘要

There are 2 main objectives of the house. First, it integrates the forest in the daily experience of the user. Second, it receives as much sunlight as possible during the entire day. For that purpose, the program fits into a two-Y-letter diagram that creates not only double orientations for the sun entering at different times of the day but also exposes the inhabitant to views that surround him. In other words, the extremely extended perimeter of the house and its bifurcations (in opposition to a compact organization) potentiates the experience of being - not in front of, but - from within. More specifically, of being among the sun and the trees in a parietal relationship. Additionally, its shape also made it possible to fit among the existing trees without having to clear the site. In regards to the materialization of the project, timber was chosen not only because it is a local material that could anchor the house to its place through affiliations with the natural and the cultural, but also because the wooden structures (in opposition with other kinds of material ensembles) are naturally built using infinite linear elements that as a result, resemble a sense of infinity that is present in forests and sort of echoes with the exterior. In this respect, the structural and architectural plans were done simultaneously in a permanent conversation. In the end, it is hard to distinguish one from the other. With regard to its relationship with the ground, the above-mentioned 2Y diagram negotiates the slope in different manners. Sometimes, it underlines and rests upon the ground and other times, it contrasts with the soil, stressing the artificiality of its architectonic body. With respect to the treatment of its outer skin, the objective was to create a constant reverberation with its mostly green surroundings 一 and that, as it is well known, can be achieved using the color, red.
机译:房子有两个主要目标。首先,它将森林整合到用户的日常体验中。其次,它在一整天内都接受尽可能多的阳光。为此,该程序适合于两个Y字母的图表,该图表不仅为在一天中不同时间进入的太阳创建了双重方向,还使居民暴露在周围的视野中。换句话说,房屋的极度扩展的周边及其分叉(与紧凑的组织相对)增强了从内而外的体验。更具体地讲,是处于太阳和树木之间的一种壁顶关系。此外,它的形状还使它可以适合现有的树木,而不必清理场地。关于项目的物化,选择木材不仅是因为它是一种本地材料,可以通过与自然和文化的联系将房屋固定在其位置,而且还因为木结构(与其他种类的木材相反)材料合奏)是使用无限线性元素自然构建的,结果类似于森林中存在的无限感以及与外部的回声。在这方面,结构和体系结构计划是在永久对话中同时完成的。最后,很难将彼此区分开。关于其与地面的关系,上述2Y图以不同的方式说明了坡度。有时,它会凸显并停留在地面上,有时它会与土壤形成对比,强调其建筑主体的人造性。关于其外部皮肤的处理,目标是在其大部分为绿色的环境中产生恒定的混响,并且众所周知,可以使用红色实现该混响。

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  • 来源
    《建築と都市》 |2020年第594期|14-23|共10页
  • 作者

  • 作者单位

    Araucania 2013-2016;

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  • 正文语种 eng
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  • 入库时间 2022-08-18 05:18:21

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