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ARCHITECTURE DURING WARTIME: THE MOSTRA D'OLTREMARE AND ESPOSIZIONE UNIVERSALE DI ROMA

机译:战时建筑:罗马的海外展览和普遍展览

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摘要

This paper examines the architecture and planning of the Mostra d'Oltremare in Naples-a national display of colonial expansion that opened in May 1940-and the Esposizione Universale di Roma-an "Olympics of Civilization" that was proposed for 1942. These two major exhibitions will be studied in relation to Italy's violent and racially motivated Imperial politics. In the first case, it will closely examine the "Villaggi indigeni" (Indigenous village) of Italian East Africa, a scientific re-enactment of native constructions that became a space of violence and political confinement. In the second, it will study the "Villaggio operaio" (Workers' village), which, just like the larger exhibition grounds, was transformed into a site of military conflict during the war period.
机译:本文研究了那不勒斯的莫斯塔拉·奥尔特雷马雷(Mostra d'Oltremare)的建筑和规划,那是1940年5月开放的全国性殖民扩张展示;以及1942年提议的罗马环球影城(Esposizione Universale di Roma)–一个“文明奥运”。这两个主要方面展览将针对意大利的暴力和出于种族动机的帝国政治进行研究。在第一种情况下,它将仔细检查意大利东非的“ Villaggi indigeni”(原住民村庄),这是对当地建筑的科学重演,成为暴力和政治限制的空间。在第二部分中,它将研究“ Villaggio Operaio”(工人之乡),就像更大的展览场地一样,在战争时期被转变为军事冲突的地点。

著录项

  • 来源
    《Architectural theory review》 |2014年第3期|267299-318|共21页
  • 作者

    BRIAN L MCLAREN;

  • 作者单位

    Department of Architecture at the University of Washington;

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  • 原文格式 PDF
  • 正文语种 eng
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  • 入库时间 2022-08-18 00:21:20

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