The Venice Biennale

摘要

Whether an involuntary consequence of squeezed cultural-relations budgets, or a more tactical response to the aura of Sejima as director, this year many countries appeared to be keeping their contributions low key. Even so, in the Giardini and Arsenale, visitors were confronted with the usual daunting spectrum of curatorial propositions and possibilities.rnFor Chile, Mathias Klotz's photographs calmly recorded the devastation of the 2010 Chilean earthquake.