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All architecture is about the future - but about the past too

机译:所有架构都与未来有关-但也与过去有关

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'We do not quite say that the new is more valuable because it fits in; but its fitting in is a test of its value - a test, it is true, which can only be slowly and cautiously applied, for we are none of us infallible judges of conformity.' TS Eliot, a poet who thought more about time and its implications than most, would have been an interesting judge for The Architectural Review 'New into Old' awards, featured in this issue. While some of the selected entries clearly fit into their surroundings, that is by no means true of all of them, particularly the extraordinary Zaha Hadid Architects Port Authority building in Antwerp, a predecessor of Herzog & de Meuron's ambitious Elbphilharmonie in Hamburg, reviewed earlier this year. But then does Eliot's poetry 'fit into' the canon of English literature? It may not have seemed so when written, but it does now.
机译:“我们并没有完全说出新产品的价值,因为它适合其中。但是它的适合性是对其价值的检验-检验的确是正确的,只能缓慢而谨慎地应用,因为我们都不是可靠的合格判断者。 TS艾略特(TS Eliot)是诗人,他对时间及其含义的思考比大多数人都多,他本来是本期《建筑评论》“从新入旧”奖项的有趣评判。虽然某些入围作品显然适合周围环境,但并非所有人都如此,尤其是安特卫普非凡的Zaha Hadid建筑师港务局大楼,这是赫尔佐格与德梅隆(Herzog&de Meuron)雄心勃勃的汉堡Elbphilharmonie的前身,早些时候对此进行了评论。年。但是,艾略特的诗歌是否“适合”英国文学的经典呢?编写时可能看起来并非如此,但现在确实如此。

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    《The Architectural Review》 |2018年第1447期|3-4|共2页
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  • 入库时间 2022-08-18 00:23:01

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