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Problems of reproducibility in architecture The existential and metaphysical subtleties of copyright

机译:建筑中的可复制性问题版权的存在和形而上学的微妙之处

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摘要

Two years ago, a much-publicised event brought into the spotlight again Western architecture's centuries-old quandary about the relationship between original and copy, updated for the contemporary global market. A prominent design by British architect and Pritzker Prize winner Zaha Hadid for an office and retail centre in Beijing, China was pirated and cloned by a competing developer in the nearby city of Chongquing. prompting a race to finish construction and a scuffle of press statements and litigation. Imitation maybe the sincerest form of flattery, and influence the very mechanism of cultural evolution, but what then is the nature of the claim - cultural, commercial, or legal - to architectural authorship? A new exhibition at New York's Center for Architecture aims to tackle this philosophical question by exploring the dominant social medium available for the practical resolution of such dilemmas -mainly, law.
机译:两年前,一个广为宣传的事件再次引起人们的关注,西方建筑界对原始和复制之间的关系已有数百年历史的困惑,并为当代全球市场进行了更新。英国建筑师兼普利兹克奖获得者扎哈·哈迪德(Zaha Hadid)在中国北京的办公室和零售中心设计的杰出设计,是由附近城市重庆的一家竞争开发商克隆和克隆的。促成竞赛,以完成施工过程,以及对新闻声明和诉讼的争执。模仿也许是最恭维的奉承形式,并且影响着文化发展的机理,但是,对建筑著作权的主张的本质是什么-文化,商业或法律?纽约建筑中心的一个新展览旨在通过探索可用于实际解决这种困境的主要社会媒介(主要是法律)来解决这一哲学问题。

著录项

  • 来源
    《Architectural Research Quarterly》 |2015年第4期|325-328|共4页
  • 作者

    Anna Vallye;

  • 作者单位

    Sam Fox School of Design and Visual Arts, Washington University in St Louis;

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  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

  • 入库时间 2022-08-18 00:29:13

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