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Habitat and inhabitant

机译:栖息地和居民

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摘要

The first and last articles in this issue of arq draw from the work of John Hejduk (1929-2000), the architect, artist, and writer who became famous as much for his teaching and poetry as his designs. Andrew Carr's opening text recalls Lily Chi's reflection on Hejduk's distinctive projects - which, she says, had a specific, scripted quality where it was 'no longer possible to tell what is being "designed", the habitat or the inhabitant [...]'. Carr's series of design studies (pp. 94-112) propose architectural objects and their rhythms of inhabitation to explore the temporality of architecture. Carr talks about ideas of 'succession' and 'duration' in order to investigate what K. Michael Hays called (when writing about Hejduk's work) 'the architectural chronotope', meaning the artistic connection of spatial and temporal relationships.
机译:本期《 arq》的第一篇和最后一篇文章取材于建筑师,艺术家和作家约翰·海杜克(John Hejduk,1929-2000年)的作品,约翰·海杜克(John Hejduk)因其教学和诗歌而闻名于他的设计。安德鲁·卡尔(Andrew Carr)的开场白让人回想起莉莉·奇(Lily Chi)对Hejduk独特项目的思考-她说,这具有特定的脚本化质量,使得“再也无法分辨正在设计的是什么”,栖息地或居民[...] '。卡尔的一系列设计研究(第94-112页)提出了建筑对象及其居住节奏,以探索建筑的时空性。卡尔谈论“继承”和“持续时间”的概念,以便调查K. Michael Hays所说的(在写Hejduk作品时)“建筑年代记”,意思是时空关系的艺术联系。

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