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Dream Weaver

机译:织梦者

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摘要

Back in 1977, a 22-year-old photographer named Mitchell Denburg touched down in the extravagantly baroque Guatemalan city of Antigua and started snapping. Spanish Colonial cathedrals scarred from the 1773 earthquake, sunburned coffee-plantation laborers, come-hither ladies of the night—all caught the vacationing American's wondering eye. A year later, still under Antigua's spell, he came back, setting up a business "taking portraits of locals for six dollars each and photographing events like baptisms and weddings." The local serapes, or wool blankets, captivated Denburg too. Then a daydream suddenly kicked in: Why not start a weaving studio that would improve its workers' standard of living while catapulting a Guatemalan tradition out of the country's artesania shops and into international living rooms? "My immigrant grandparents always did something to give back," explains the entrepreneur, whose altruistic plan also included building and staffing a bilingual school for the artisans' children. "The world needs more positivity."
机译:早在1977年,一位名叫Mitchell Denburg的22岁摄影师就在巴洛克风格的危地马拉安提瓜市着陆,并开始抢购。西班牙殖民大教堂因1773年地震而伤痕累累,被晒黑的咖啡种植工人,当晚的新贵妇人都吸引了度假的美国人的好奇。一年后,仍然在安提瓜的咒语下,他回来了,开了一家公司“以每张六美元的价格拍摄当地人的画像,并拍摄洗礼和婚礼等活动。”当地的麻布或羊毛毯子也吸引了Denburg。然后,一个白日梦突然开始了:为什么不建立一个织造工作室,以改善其工人的生活水平,同时又将危地马拉的传统从该国的手工艺商店推向国际客厅?这位企业家解释说:“我的移民祖父母总是回馈社会。”他的利他计划还包括为工匠子女建造一所双语学校并为其配备人员。 “世界需要更多的积极性。”

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