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Alternative Modernity, Rural Rediscovery and What Next: The Ongoing Debate on the Modern in China

机译:另类的现代性,农村的重新发现以及下一步:关于中国现代主义的持续辩论

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Over the last three decades the breakneck speed of urbanisation in China has transformed it into an architectural melting pot. This has had far-reaching consequences, challenging the magnitude of late 20th-century Chinese Modernist technocracy, which built upon short-lived Congres Internationaux d'Architecture Moderne (CIAM) beliefs, while also triggering a plethora of cynical and backward-looking commentaries. The ubiquitous bigness and newness of Chinese new towns, which are overwhelmingly associated with an equally ubiquitous ugliness, has proved an underlying trajectory for these theories of anxious or desperate modernity. This issue of , in its keenness to identify traces of independent experimentation and research, can be viewed if not as a retaliation, at least as an effective response to these negative theories - regardless of how few and far between this experimental work is in the vast standardised Chinese urban landscape.
机译:在过去的三十年中,中国城市化的飞速发展已将其转变为建筑熔炉。这产生了深远的影响,挑战了20世纪末中国现代主义技术专制的规模,这种专政建立在短暂的孔格勒国际现代建筑学(CIAM)信念的基础上,同时还引发了许多愤世嫉俗和前瞻性的评论。中国新市镇无处不在的庞大和新颖,以及同样普遍存在的丑陋,已成为这些焦虑或绝望的现代性理论的基本轨迹。出于热衷于确定独立实验和研究痕迹的本期问题,可以将其视为报复,至少可以看作是对这些负面理论的有效回应-不管这项实验工作在广泛领域中有多远标准化的中国城市景观。

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    《Architectural Design》 |2018年第6期|134-141|共8页
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  • 入库时间 2022-08-18 05:03:13

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