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On the vibro-acoustic characterization of two similar violas da gamba

机译:关于两种类似ViolasaGamba的振动声学表征

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The paper summarizes the main aspects of an experimental vibro-acoustic investigation developed by the authors on two violas da gamba (named in the following as viols).The considered instruments show similar aesthetic and geometric characteristics, as one of them was made later adopting the other as a reference. However, they are characterized by non-negligible different construction solutions, such that is not possible to consider one a faithful replica of the other.The instruments considered are a 16th century viol (hereinafter referred to as ancient viol) and a 21st century viol, inspired by the ancient instrument (hereinafter referred to as the modern viol). The ancient instrument has no bass bar and no sound post and has a rounded back. The modern one was deliberately made with a flat back, to follow the Italian school of construction of this type of instrument and, during this activity, it has been available in different configurations with and without bass bar and sound post. The availability of these two viols made it possible to evaluate how different construction solutions have a significant impact on both structural and acoustic response. Experimental modal analysis and operational vibro-acoustic response techniques have been extensively adopted for this aim. Considering its high intrinsic value, the measurements on the ancient viol have been reduced to the minimum necessary to obtain the suitable identification thereof. On the contrary, broad experimental activity on the modern viol has made its development possible, in analyzing its structural modification, related to the insertion of the bass bar and sound post, in order to verify the acoustic variations resulting from these variants.The different behavior of the ancient viol, with respect to the modern one, has also been analyzed to underline how the sound itself changes from an antique to a contemporary conception of stringed musical instruments. (C) 2021 Elsevier Ltd. All rights reserved.
机译:本文总结了由作者在两个中提琴Da Gamba开发的实验vibro-acoustic调查的主要方面(如下所示,作为viols的命名)。所考虑的仪器表现出类似的审美和几何特征,因为其中一人是在以后制作的另一种作为参考。然而,它们的特点是不可忽略不可忽略的不同施工解决方案,这是不可能考虑另一个忠实的复制品。所考虑的仪器是16世纪的兽精(以下简称古代兽医)和21世纪的事故,受到古代仪器的启发(以下简称现代兽医)。古代仪器没有低音栏,没有声音柱,并有一个圆润的背面。现代人故意用一个扁平的倒退,遵循意大利建设这种类型的仪器,并且在此活动期间,它有不同的配置,而没有低音栏和声音柱。这两种兽所的可用性使得可以评估不同的施工解决方案如何对结构和声学反应产生重大影响。实验模态分析和运营vibro-声反应技术已被广泛采用此目的。考虑到其高质量值,古代紫色的测量已经减少到获得合适鉴定所需的最低限度。相反,在现代管道上的广泛的实验活动使其开发成为可能,在分析其结构修改,与插入低音棒和声音柱相关,以验证由这些变体引起的声学变化。不同的行为在古代的兽医中,还在逐渐分析,以强调声音本身如何从古董对弦乐器乐器的当代概念发生变化。 (c)2021 elestvier有限公司保留所有权利。

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