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Byzantine wall paintings from Mani (Greece): microanalytical investigation of pigments and plasters

机译:玛尼(希腊)的拜占庭式壁画:颜料和灰泥的微观分析研究

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The present case study concerns the technology of Byzantine wall paintings from the Mani Peninsula, Greece. An assemblage of 12 Byzantine churches, constructed in the tenth to fifteenth century, was included in an initial analytical survey. Two random samples of wall paintings were taken in each monument in order to study their micro stratigraphy and the composition of pigment and plaster layers. Polished sections were fabricated for examination with optical microscopy and scanning electron microscopy (SEM). Furthermore, selected samples were powdered and analysed with Fourier-transformed infrared spectroscopy (FTIR) and X-ray diffraction (XRD). The analytical results achieved in this case study provided general conclusions concerning painting techniques for wall paintings in a rather provincial area of the Byzantine Empire. The palette comprised mainly earthen pigments like ochres and carbon black but occasionally also other pigments like cinnabar, minium and ultramarine. In view of future studies, a portable X-ray fluorescence analysis (XRF) set-up was tested.
机译:本案例研究涉及希腊玛尼半岛的拜占庭式壁画技术。最初的分析调查中包括了10至15世纪建造的12座拜占庭式教堂的集合。为了研究其微观地层以及颜料和灰泥层的组成,在每个纪念碑中随机抽取了两个壁画样品。制作抛光的切片,以便用光学显微镜和扫描电子显微镜(SEM)进行检查。此外,将选定的样品粉末化并通过傅立叶变换红外光谱(FTIR)和X射线衍射(XRD)进行分析。在本案例研究中获得的分析结果提供了有关拜占庭帝国的一个省级地区的壁画绘画技术的一般结论。调色板中主要包含土质颜料,如石和炭黑,但偶尔也包含其他颜料,如朱砂,极少量和群青。考虑到将来的研究,对便携式X射线荧光分析(XRF)装置进行了测试。

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