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Pattern as Inspiration and Mode of Communication in the Works of Van Gogh

机译:梵高作品中的模式作为灵感和沟通方式

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摘要

A close study of specific patterning in Van Gogh's drawings (revelatory because of their absence of his celebratory color) provides new insight into pattern as a direct expression of nonverbal meaning. A study of his articulation of pattern through form, plus a close reading of his writings about difficulties he encountered because of his unique vision, show how Van Gogh's creativity reflects a need to express the inexpressible that derives from an idiosyncratic way of perceiving self and the world. We apply critical theories of modern art as a manifestation of unconsciously expressed meaning and explications of differences between the experience of color versus form, and indices of how nonverbal meanings are noted and anchored. We conclude that Van Gogh's unique and personal perceptual style both served his developmental needs and exacerbated his distress, contributing both to his mental instability and his artistic greatness. [PUBLICATION ABSTRACT]
机译:对梵高绘画中的特定图案进行仔细研究(由于缺少他的庆祝色彩而具有启发性)为图案作为非语言意义的直接表达提供了新的见识。通过对形式的形式表达的研究,以及对他因独特的眼光而遇到的困难的著作的仔细阅读,表明梵高的创造力如何反映出表达一种不可表达的需求,这种表达源于一种感知自我和自我的特质方式。世界。我们将现代艺术的批判理论应用为无意识表达的含义的体现,以及对色彩与形式的体验之间差异的阐释,以及非语言意义的标注和锚定方式的索引。我们得出的结论是,梵高的独特和个人感性风格既满足了他的发展需求,又加剧了他的苦恼,加剧了他的心理不稳定和艺术上的卓越。 [出版物摘要]

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