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An argumentation model of forensic evidence in fine art attribution

机译:美术归因中的法证证据论证模型

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In this paper, a case study is conducted to test the capability of the Carneades Argumentation System to model the argumentation in a case where forensic evidence was collected in an investigation triggered by a conflict among art experts on the attribution of a painting to Leonardo da Vinci. A claim that a portrait of a young woman in a Renaissance dress could be attributed to da Vinci was initially dismissed by art experts. Forensic investigations were carried out, and evidence was collected by art history experts and scientific experts. The expert opinions were initially in conflict, but new evidence shifted the burden of proof onto the side of the skeptics. This paper presents an analysis of the structure of the interlocking argumentation in the case using argument mapping tools to track the accumulation of evidence pro and con.
机译:在本文中,进行了一个案例研究,以检验在由法医专家就一幅画归因于莱昂纳多·达·芬奇的冲突引发的调查中收集到法证证据的情况下,Carneades争论系统对论证进行建模的能力。 。艺术专家最初驳斥了声称文艺复兴时期的年轻女子肖像可能归因于达·芬奇的说法。进行了法证调查,并由艺术史专家和科学专家收集了证据。专家的意见最初是冲突的,但是新的证据将举证责任转移到了怀疑者的一边。本文使用参数映射工具来跟踪证据的正反积累,从而分析了案件中联锁论证的结构。

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