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Blue Notes: Using Songwriting to Improve Student Mental Health and Wellbeing. A Pilot Randomised Controlled Trial

机译:蓝调笔记:使用歌曲创作来改善学生的心理健康和幸福感。随机对照试验

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摘要

Higher Education is a period of transition. Students try out identities, develop skills, and explore their shifting sense-of-self. Recent evidence suggests an increase in mental distress in this population, pressurising in-house support schemes. Therapeutic songwriting is a music therapy technique, which can reduce mental distress and improve social engagement in a range of clinical populations; yet it is also an accessible art form, possibly an ideal vehicle for supporting students in distress. This paper examines whether participation in a weekly songwriting program could make a suitable RCT to support wellbeing within the HE environment. We used a methodologically rigorous pre-registered parallel wait-list pilot RCT design. Trial registration: ISRCTN11180007. Participants self-identifying as stressed, anxious, or depressed, or with a pre-existing mental health condition, were randomly allocated to the experimental group (5 weeks, songwriting) (n = 6) or to the wait-list control group (5 weeks, no intervention) (n = 6). Measures were taken at baseline and at the start (Time 1) and end (Time 2) of the intervention. Measures included: depression and anxiety scales, social identification, loneliness, and friendship. Change scores were calculated and a Mann–Whitney U revealed that depression levels in songwriters (Mdn = -1.0) differed significantly from wait-list controls (Mdn = 8.5) at T2, U = 5.00, z = -2.085, p < 0.041, r = 2.66. Songwriters’ levels of social connection (Mdn = 2.50) also differed significantly from wait-list controls (Mdn = 3.00) at T2 U = 3.00, z = -2.441, p < 0.015, r = 0.524. There were no other significant differences between control and intervention groups. A therapeutic songwriting intervention may have individual and group level benefits for a student population, alongside possible institutional benefits in student retention. Effects may be seen within depression and social connection metrics, and future RCTs should consider expanding measures for self-efficacy, social isolation, and wellbeing. This type of program illustrates a space for cost-effective, group, face to face additions institutional mental health support provision as part of a package of support for students.
机译:高等教育是一个过渡时期。学生尝试身份认同,发展技能并探索他们不断变化的自我意识。最近的证据表明,该人群的精神困扰有所增加,这给内部支持计划带来了压力。治疗性歌曲创作是一种音乐治疗技术,可以减轻心理压力并改善一系列临床人群的社会参与度;但它也是一种易于使用的艺术形式,可能是支持遇难学生的理想工具。本文研究了参加每周歌曲创作计划是否可以制定合适的RCT,以支持HE环境中的幸福感。我们使用了方法学上严格的预注册并行等待列表试点RCT设计。试用注册:ISRCTN11180007。自我识别为压力,焦虑,沮丧或患有预先存在的心理健康状况的参与者被随机分配到实验组(5周,作曲)(n = 6)或等待列表对照组(5)周,无干预)(n = 6)。在基线以及干预的开始(时间1)和结束(时间2)采取措施。措施包括:抑郁和焦虑量表,社会认同感,孤独感和友谊。计算了变化得分,Mann-Whitney U发现,在T2时,歌曲作者的抑郁水平(Mdn = -1.0)与候补名单控件(Mdn = 8.5)显着不同,U = 5.00,z = -2.085,p <0.041, r = 2.66。在T2 U = 3.00,z = -2.441,p <0.015,r = 0.524时,歌曲作者的社交关系水平(Mdn = 2.50)也与等待列表控件(Mdn = 3.00)有显着差异。对照组和干预组之间没有其他显着差异。治疗性歌曲创作干预可能会为学生群体带来个人和团体层面的好处,以及在留住学生方面可能带来的机构好处。在抑郁症和社会联系指标中可能会看到影响,未来的随机对照试验应考虑扩大自我效能,社会孤立和幸福感的衡量标准。这种类型的计划说明了一个经济高效的,团体的,面对面的补充空间,它是机构对学生心理支持的一部分。

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