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Movement induced tremor in musicians and non-musicians reflects adaptive brain plasticity

机译:音乐家和非音乐家的运动引起的震颤反映出适应性大脑可塑性

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摘要

Evidence exists that motor dexterity is associated with a higher tremor amplitude of physiological tremor. Likewise, lower frequencies are associated with motor control. So far only case reports of a higher amplitude of physiological tremor in musicians exist. Moreover, no study has investigated lower frequencies during a finger movement task in musicians who can be regarded as a model of motor expertise. We developed a model and derived three hypotheses which we investigated in this study: (1) Tremor amplitude is higher in the range of physiological tremor and (2) higher for frequency ranges of dystonic tremor in musicians compared to non-musicians; (3) there is no difference in tremor amplitude at frequencies below 4 Hz. We measured tremor during a finger flexion-extension movement in 19 musicians (age 26.5 ± 8.2 years) and 24 age matched non-musicians (age 26.5 ± 8.7). By using empirical mode decomposition in combination with a Hilbert transform we obtained the instantaneous frequency and amplitude, allowing to compare tremor amplitudes throughout the movement at various frequency ranges. We found a significantly higher tremor amplitude in musicians for physiological tremor and a tendency toward a higher amplitude during most of the movement in the frequency range of 4–8 Hz, which, however, was not significant. No difference was found in the frequency range below 4 Hz for the flexion and for almost the entire extension movement. Our results corroborate findings that the 8–12 Hz oscillatory activity plays a role in motor dexterity. However, our results do not allow for the conclusion that tremor at the frequency range of 4–8 Hz is related to either plasticity induced changes that are beneficial for motor skill development nor to maladaptive changes as, e.g., focal dystonia.
机译:有证据表明运动灵活性与生理性震颤的较高震颤幅度有关。同样,较低的频率与电动机控制相关。迄今为止,仅存在音乐家中生理震颤幅度更大的病例报告。此外,尚无研究调查在音乐家进行手指运动任务期间的较低频率,这些音乐家可被视为运动技能的模型。我们开发了一个模型,并推导了我们在本研究中进行研究的三个假设:(1)与非音乐家相比,音乐家的震颤幅度在生理性震颤范围内较高;(2)在肌张力性震颤的频率范围内较高。 (3)在低于4 Hz的频率下,震颤幅度没有差异。我们在19位音乐家(年龄26.5±8.2岁)和24位年龄相匹配的非音乐家(年龄26.5±8.7)中测量了手指屈伸运动中的震颤。通过将经验模式分解与希尔伯特变换结合使用,我们获得了瞬时频率和振幅,从而可以比较整个运动过程中不同频率范围的震颤振幅。我们发现,在生理震颤的音乐家中,震颤幅度明显较高,并且在4-8 Hz频率范围内的大多数运动中,震颤幅度趋向于较高,但这并不重要。在4 Hz以下的频率范围内,对于屈曲以及几乎整个伸展运动都没有发现差异。我们的结果证实了8-12 Hz的振荡活动在运动敏捷度中起作用的发现。但是,我们的结果不能得出这样的结论:在4-8 Hz频率范围内的震颤既与可塑性诱发的变化有关,这对运动技能的发展是有益的,也与不良适应性变化(例如局灶性肌张力障碍)有关。

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