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Auditory-motor synchronization with temporally fluctuating sequences is dependent on fractal structure but not musical expertise

机译:听觉-运动与时间波动序列的同步取决于分形结构但不取决于音乐专业知识

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摘要

Fractal structure is a ubiquitous property found in nature and biology, and has been observed in processes at different levels of organization, including rhythmic behavior and musical structure. A temporal process is characterized as fractal when serial long-term correlations and statistical self-similarity (scaling) are present. Previous studies of sensorimotor synchronization using isochronous (non-fractal) stimuli show that participants' errors exhibit persistent structure (positive long-term correlations), while their inter-tap intervals (ITIs) exhibit anti-persistent structure (negative long-term correlations). Auditory-motor synchronization has not been investigated with anti-persistent stimuli. In the current study, we systematically investigated whether the fractal structure of auditory rhythms was reflected in the responses of participants who were asked to coordinate their taps with each event. We asked musicians and non-musicians to tap with 12 different rhythms that ranged from anti-persistent to persistent. The scaling exponents of the ITIs were strongly correlated with the scaling exponents of the stimuli, showing that the long-term structure of the participants' taps scaled with the long-term structure of the stimuli. Surprisingly, the performance of the musicians was not significantly better than that of the non-musicians. Our results imply that humans are able to readily adapt (rather than simply react) to the overall statistical structure of temporally fluctuating stimuli, regardless of musical skill.
机译:分形结构是自然界和生物学中普遍存在的特性,并且已在包括节奏行为和音乐结构在内的不同组织层次的过程中观察到。当存在序列长期相关性和统计自相似性(定标)时,时间过程的特征为分形。以前使用等时(非分形)刺激进行的感觉运动同步研究表明,参与者的错误表现出持续的结构(长期长期正相关),而他们的敲击间隔(ITI)表现出反持续的结构(长期长期负相关)。 。听觉运动同步尚未研究与持久性刺激。在当前的研究中,我们系统地调查了听觉节奏的分形结构是否反映在要求参与者与每个事件协调拍打的参与者的反应中。我们要求音乐家和非音乐家使用12种不同的节奏进行演奏,节奏从反持久到持久。 ITI的缩放指数与刺激的缩放指数密切相关,这表明参与者水龙头的长期结构与刺激的长期结构成比例。令人惊讶的是,音乐家的演奏并不比非音乐家的演奏明显好。我们的结果表明,无论音乐水平如何,人类都能够轻松地适应(而不是简单地做出反应)时间波动的总体统计结构。

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