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Predictive error detection in pianists: a combined ERP and motion capture study

机译:钢琴家中的预测性错误检测:ERP和动作捕捉的组合研究

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摘要

Performing a piece of music involves the interplay of several cognitive and motor processes and requires extensive training to achieve a high skill level. However, even professional musicians commit errors occasionally. Previous event-related potential (ERP) studies have investigated the neurophysiological correlates of pitch errors during piano performance, and reported pre-error negativity already occurring approximately 70–100 ms before the error had been committed and audible. It was assumed that this pre-error negativity reflects predictive control processes that compare predicted consequences with actual consequences of one's own actions. However, in previous investigations, correct and incorrect pitch events were confounded by their different tempi. In addition, no data about the underlying movements were available. In the present study, we exploratively recorded the ERPs and 3D movement data of pianists' fingers simultaneously while they performed fingering exercises from memory. Results showed a pre-error negativity for incorrect keystrokes when both correct and incorrect keystrokes were performed with comparable tempi. Interestingly, even correct notes immediately preceding erroneous keystrokes elicited a very similar negativity. In addition, we explored the possibility of computing ERPs time-locked to a kinematic landmark in the finger motion trajectories defined by when a finger makes initial contact with the key surface, that is, at the onset of tactile feedback. Results suggest that incorrect notes elicited a small difference after the onset of tactile feedback, whereas correct notes preceding incorrect ones elicited negativity before the onset of tactile feedback. The results tentatively suggest that tactile feedback plays an important role in error-monitoring during piano performance, because the comparison between predicted and actual sensory (tactile) feedback may provide the information necessary for the detection of an upcoming error.
机译:演奏音乐涉及多个认知和运动过程的相互作用,并且需要大量的培训才能达到较高的技能水平。但是,即使是专业音乐家也偶尔会犯错误。以前的事件相关电位(ERP)研究已经调查了钢琴演奏过程中音高错误的神经生理相关性,并报告了错误发生之前和出现之前大约70-100 ms的错误前消极现象已经发生。假定这种错误前的否定性反映了预测控制过程,该过程将预测的后果与个人行为的实际后果进行了比较。但是,在先前的调查中,正确和错误的音高事件因其不同的节奏而混淆。此外,没有有关基础运动的数据。在本研究中,我们探索性地记录了钢琴家手指从记忆中进行指法练习时的ERPs和3D运动数据。结果显示,当以可比的速度执行正确和错误的击键操作时,对于错误的击键操作,错误前均为负值。有趣的是,即使是在错误的击键之前的正确音符也引起了非常相似的消极感。此外,我们探索了计算ERP时机锁定到手指运动轨迹中运动学界标的可能性,该运动轨迹由手指最初与按键表面接触时(即在触觉反馈开始时)定义。结果表明,在触觉反馈开始后,不正确的音符会引起很小的差异,而在不正确的笔记之前的正确音符会在触觉反馈开始之前引起负感。结果初步表明,触觉反馈在钢琴演奏过程中的错误监控中起着重要作用,因为预测的和实际的感官(触觉)反馈之间的比较可能提供检测即将到来的错误所需的信息。

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