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Multi-layer adaptation of group coordination in musical ensembles

机译:乐团中乐团协调的多层改编

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摘要

Group coordination passes through an efficient integration of multimodal sources of information. This study examines complex non-verbal communication by recording movement kinematics from conductors and two sections of violinists of an orchestra adapting to a perturbation affecting their normal pattern of sensorimotor communication (rotation of half a turn of the first violinists’ section). We show that different coordination signals are channeled through ancillary (head kinematics) and instrumental movements (bow kinematics). Each one of them affect coordination either at the inter-group or intra-group levels, therefore tapping into different modes of cooperation: complementary versus imitative coordination. Our study suggests that the co-regulation of group behavior is based on the exchange of information across several layers, each one of them tuned to carry specific coordinative signals. Multi-layer sensorimotor communication may be the key musicians and, more generally humans, use to flexibly communicate between each other in interactive sensorimotor tasks.
机译:小组协调通过有效整合多模式信息源而实现。这项研究通过记录指挥家和乐队小提琴手的两个部分的运动运动学来研究复杂的非语言交流,该运动适应于扰动影响他们的感觉运动沟通的正常模式(第一小提琴手部分旋转半圈)。我们显示不同的协调信号通过辅助(头部运动学)和器械运动(弓形运动学)传递。它们中的每一个都会影响小组间或小组内的协调,因此会采用不同的合作模式:互补与模仿协调。我们的研究表明,群体行为的共同调节是基于跨多个层的信息交换,每个层都经过调整以承载特定的协调信号。多层感觉运动沟通可能是关键的音乐家,更常见的是人类,它们用于在交互感觉运动任务中彼此灵活地交流。

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