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Hunting for the beat in the body: on period and phase locking in music-induced movement

机译:寻找体内的节拍:音乐诱发的运动中的周期和相位锁定

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摘要

Music has the capacity to induce movement in humans. Such responses during music listening are usually spontaneous and range from tapping to full-body dancing. However, it is still unclear how humans embody musical structures to facilitate entrainment. This paper describes two experiments, one dealing with period locking to different metrical levels in full-body movement and its relationships to beat- and rhythm-related musical characteristics, and the other dealing with phase locking in the more constrained condition of sideways swaying motions. Expected in Experiment 1 was that music with clear and strong beat structures would facilitate more period-locked movement. Experiment 2 was assumed to yield a common phase relationship between participants' swaying movements and the musical beat. In both experiments optical motion capture was used to record participants' movements. In Experiment 1 a window-based period-locking probability index related to four metrical levels was established, based on acceleration data in three dimensions. Subsequent correlations between this index and musical characteristics of the stimuli revealed pulse clarity to be related to periodic movement at the tactus level, and low frequency flux to mediolateral and anteroposterior movement at both tactus and bar levels. At faster tempi higher metrical levels became more apparent in participants' movement. Experiment 2 showed that about half of the participants showed a stable phase relationship between movement and beat, with superior-inferior movement most often being synchronized to the tactus level, whereas mediolateral movement was rather synchronized to the bar level. However, the relationship between movement phase and beat locations was not consistent between participants, as the beat locations occurred at different phase angles of their movements. The results imply that entrainment to music is a complex phenomenon, involving the whole body and occurring at different metrical levels.
机译:音乐具有诱发人类运动的能力。音乐聆听期间的此类响应通常是自发的,范围从敲击到全身跳舞。然而,仍不清楚人类如何体现音乐结构以促进训练。本文描述了两个实验,一个涉及在人体运动中将其锁定到不同的量度水平,以及与节拍和节奏相关的音乐特征之间的关系,另一个涉及在侧向摇摆运动的更受限条件下的相位锁定。实验1预期具有清晰而强劲的节拍结构的音乐将有助于进行更多的周期锁定运动。假设实验2在参与者的摇摆动作和音乐节拍之间产生共同的相位关系。在两个实验中,都使用光学运动捕捉来记录参与者的运动。在实验1中,基于三个维度的加速度数据,建立了与四个度量级别相关的基于窗口的周期锁定概率指数。此指数与刺激的音乐特征之间的相关性表明,脉搏清晰度与触觉水平的周期性运动有关,而与触觉和横杠水平的中外侧和前后运动的低频通量有关。在较快的速度下,参与者的运动更加明显。实验2表明,大约一半的参与者在运动和搏动之间表现出稳定的相位关系,上下运动通常与触觉水平同步,而中外侧运动则与横杠水平同步。但是,参与者之间的运动相位与拍子位置之间的关系不一致,因为拍子位置发生在他们运动的不同相位角上。结果表明,音乐的夹带是一个复杂的现象,涉及整个身体,并且发生在不同的度量级别。

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