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Frames as visual links between paintings and the museum environment: an analysis of statistical image properties

机译:框架是绘画与博物馆环境之间的视觉链接:对统计图像属性的分析

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摘要

Frames provide a visual link between artworks and their surround. We asked how image properties change as an observer zooms out from viewing a painting alone, to viewing the painting with its frame and, finally, the framed painting in its museum environment (museum scene). To address this question, we determined three higher-order image properties that are based on histograms of oriented luminance gradients. First, complexity was measured as the sum of the strengths of all gradients in the image. Second, we determined the self-similarity of histograms of the orientated gradients at different levels of spatial analysis. Third, we analyzed how much gradient strength varied across orientations (anisotropy). Results were obtained for three art museums that exhibited paintings from three major periods of Western art. In all three museums, the mean complexity of the frames was higher than that of the paintings or the museum scenes. Frames thus provide a barrier of complexity between the paintings and their exterior. By contrast, self-similarity and anisotropy values of images of framed paintings were intermediate between the images of the paintings and the museum scenes, i.e., the frames provided a transition between the paintings and their surround. We also observed differences between the three museums that may reflect modified frame usage in different art periods. For example, frames in the museum for 20th century art tended to be smaller and less complex than in the two other two museums that exhibit paintings from earlier art periods (13th–18th century and 19th century, respectively). Finally, we found that the three properties did not depend on the type of reproduction of the paintings (photographs in museums, scans from books or images from the Google Art Project). To the best of our knowledge, this study is the first to investigate the relation between frames and paintings by measuring physically defined, higher-order image properties.
机译:框架为艺术品及其周围环境提供了视觉链接。我们询问了当观察者从单独观看绘画到查看带有框架的绘画以及最终在博物馆环境(博物馆场景)中框架绘画时,图像属性如何变化。为了解决这个问题,我们基于定向亮度梯度的直方图确定了三个更高阶的图像属性。首先,将复杂度作为图像中所有渐变强度的总和进行测量。其次,我们确定了在不同空间分析水平下定向梯度直方图的自相似性。第三,我们分析了不同方向上的梯度强度差异(各向异性)。获得了三个展示西方三个主要时期绘画作品的美术馆的结果。在这三个博物馆中,画框的平均复杂度均高于绘画或博物馆场景的平均复杂度。因此,框架为绘画与其外部之间的复杂性提供了障碍。相比之下,带框绘画的图像的自相似性和各向异性值介于绘画图像和博物馆场景之间,即,框架为绘画及其周围环境之间提供了过渡。我们还观察到这三个博物馆之间的差异,可能反映了不同艺术时期的镜框使用方式的变化。例如,与另外两个展示早期艺术时期(分别为13至18世纪和19世纪)的绘画的博物馆相比,该博物馆中20世纪艺术的框架往往更小,更复杂。最后,我们发现这三个属性并不取决于绘画的复制类型(博物馆的照片,书籍的扫描图像或Google Art Project的图像)。据我们所知,这项研究是第一个通过测量物理定义的高阶图像属性来研究画框与绘画之间关系的方法。

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