“梅派”表演构成梅兰芳艺术的基础和主体，是一个比较清晰的概念范畴，其传播和弘扬均有相对明晰的指向和目标，但梅兰芳的历史文化意义，却远不止“梅派”一词所能全部归纳。梅兰芳艺术精神是对“梅兰芳”这一文化符号更具涵盖、也更为核心和本质的概括，是诠释梅兰芳之所以为梅兰芳、“梅派”之所以为“梅派”、梅兰芳所以能够缔造京剧之崇的索解之码。而这，显然远远不局限于舞台氍毹。梅兰芳艺术精神是一个综合体，是人与艺，艺与时、与世的复合，是艺术与思想、精神的统一。护国寺街9号梅兰芳纪念馆前身为梅兰芳故居，新中国成立后梅兰芳的北京寓所。从其文化空间来看，每一平方米其实都有历史和文化的印记。就纪念馆而言，不能仅仅停留于对故居的定格和“静止化”，而应追寻这种定格与“静止化”背后的历史记忆、真实生活和故事细节，这样与拜谒参观者所形成的互动和交流应该是最为生动和有效的。%The performance of Mei School is the basis and subject of Mei Lanfang ’ s stage art , which is a rather clear conceptual category with a relatively distinct orientation and objective in spread and promotion.The historical and cultural significance of Mei Lanfang ’s art, however, goes far beyond what “Mei School” can conclude .Mei Lanfang ’ s artistic spirit is the summarization of“Mei Lanfang” as a cultural symbol with a wider coverage and more essential nature; it is a com-plex , a recombination of man and art , art and time , art and world;it is a unity of art , thought and spirit.Mei Lanfang’ s Memorial Hall, formerly known as the Mei Lanfang’s Former Residence, is Mei’s dwelling place in Beijing after the founding of New China .As a cultural space, every square meter of it is imprinted with history and culture .Therefore , as the manager of the hall , we should not just treat it as a motionless freeze-frame but to pursue historical memories , real life stories and details behind .
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