The Sandwich Man:A Representative Rhetoric of Ressentiment toward the Empire in Taiwan Residents New Wave Cinema

摘要

The Sandwich Man(1983),the groundbreaking work of Taiwan Residents New Wave Cinema,had a significant impact.The movie are made up of three short films The Sandwich Man(Hou Hsiao-hsien),Xiaoqi’s Hat(Tseng Ch’ang-hsiang),and The Taste of Apples(Wan-ren),are typically seen as tales of modernity from the countryside to the city,but also contains native Taiwan Residents imperial ressentiment,particularly the ressentiment toward the American Empire in The Taste of Apples and the social sentiment of being wounded by Japan that haunts Xiaoqi’s hat,while The Sandwich Man attempts to seek to position themselves in their role.