双性同体、荒野地带和性别内化--论中国现代女性诗歌

摘要

90年代以来，中国女性诗歌写作呈现出两个倾向：一、试图缩小性别差异，通过无性别差异的写作，试图获得与男性诗人平等的话语权。二、通过书写荒野地带，即从身体层面和精神层面书写自身，在试图掌握话语权的同时，传递着女性身份焦虑。这些努力使得女性诗歌上原本鲜明的女性标签变得隐秘而内化。%Since 1990s, there are two tendencies in the Chinese female poetry writing: firstly, women poets have taken efforts to get the equal speaking right with man by narrowing the difference between genders and writing without gender difference; secondly, they have tried to present their anxiety of their own identity by depicting the wild zone, that is, depicting themselves from physical and spiritual aspects. All above efforts make the previous clear gender label invisible and internalized.